Indiana Jones

Leads down the twisting corridor, repeatedly emerging from shadow with tarantulas crawling on his jacket, casually brushes them off with his rolled whip and methodically pockets small relics while never …

Indy inspects the sunlit chamber, picks up a stick and deliberately throws it through the shaft of light to test the room. When spikes impale Forrestal he calmly pries the …

Indy picks up and throws a stick into the beam to deliberately trigger the mechanism, calmly frees the impaled explorer, names him aloud, then deliberately edges along the light’s boundary …

Indiana Jones takes the torch, lowers it to inspect the landing, deliberately steps across the brittle skeletons producing cracking sounds, and issues a terse command to Satipo to avoid the …

Indy halts, scans the hall, tests the floor with a whip and watches a dropped stone confirm a void. He anchors the whip around a roof support beam, tests its …

Indy leads the operation: lighting a torch, probing tiles, reading environmental clues, fashioning and weighing a dirt decoy, performing the precise swap, then immediately sprinting back as the temple mechanism …

Indy tosses the idol across the pit, attempts a broad jump, fails to clear the gap, claws at the lip and painfully pulls himself back up. He discovers Satipo impaled, …

Indy bursts from a cut-off hallway, sprints down the slick, narrowing passage toward daylight, reacts to incoming debris, loses his hat, and times a desperate dive as the boulder seals …

Lying on the stone apron, gasping and exhausted, Indy produces the idol, surrenders the object and his revolver, then immediately runs toward the tree line and disappears into the foliage …

Indiana Jones barrels down the steep jungle slope, breath ragged, dodging whistling darts and thrown spears; movement is urgent and improvisational as he uses speed, brief cover and terrain to …

Bursts from distant brush, sprints the cliff path, shouts to Jock to start the plane, jumps into the river, swims to the aircraft, grabs a strut, walks across the wing …

Indy is physically startled when his hand contacts the boa on the cabin floor: he hits his head, scrambles up, and attempts to pull his whole body onto the seat …

Indy is mid-lecture-mode domestic: closing a book, removing his reading glasses, answering Brody, helping his teaching assistant find a place for heavy reference books, making a flippant remark about Indians …

Indy is present in his tweedy academic mode, closing a book, removing his glasses, helping the TA place reference volumes, making a bitter offhand remark about the Indians and Belloq, …

Indy moves from conversational stance to teacher-mode: he listens, nods, takes chalk, sketches the Staff/Well mechanism on the blackboard, and narrates the Ark's history and lethal potential to the officers …

Indiana Jones opens the door in a tuxedo, initially resists the interruption with 'This isn't really a good time,' then relents and invites Brody inside, shifting from private repose to …

Indy motions Brody toward the study and speaks a brief line, intentionally creating physical and conversational separation while remaining composed and in control of the moment.

Indiana Jones arrives, quickly accepts the commission, asserts the Museum's claim to the Ark, and lays out a rapid operational plan: Shanghai for Hok's piece, then Ravenwood and the Well …

Climbs into the front seat as the Ford peels out, exchanges terse questions with Kehoe, accepts a forceful handshake, and is physically ferried into an urgent government operation; present, alert, …

Indiana Jones slides a steel vent, pokes his head through and scans the silent exhibition hall. He visually inventories artifacts, gauges defensive measures, and maintains absolute stealth while preparing mentally …

Indy prowls the dim gallery with practiced silence, stops under the suspended gong, studies the poised hammer and radiating threads, mentally sketches a path past the cases and identifies a …

Indiana Jones arrives at the display, inspects the gilded headpiece, reaches for and fires his revolver twice at a charging samurai, is disarmed when a second samurai knocks the pistol …

Indiana Jones approaches the gilded headpiece, inspects its round hollow, reaches for and fires his revolver twice at a charging samurai, is brutally disarmed when a second samurai knocks the …

Indy orchestrates a repeated low feint with his whip, observes the samurai's fixated timing, then executes a rapid upward snap that loops the whip around the samurai's neck and pulls …

Indiana Jones stands at the display, swings a samurai sword to shatter the glass, reaches into the broken case and seizes the Staff of Ra headpiece, then immediately reacts to …

Indy is pressed against an unprotected wall, dives behind a marble column under machine‑gun fire, rips a massive ceremonial gong from its hook, steadies and rolls it as moving cover, …

Indiana Jones smashes through the skylight, lands on the lower roof amid exploding glass, immediately rolls into a crouch and sprints for the museum's rear while under sustained rifle fire, …

Indiana Jones runs across the museum roof, gauges the moving sedan, times a high-risk jump, and forcefully crashes his legs through the car roof, collapsing into the passenger compartment and …

Indy scrambles down into the front seat, breathless and injured, accepts the violent jolt from Kehoe's acceleration, minimizes his pain with a clipped line, and immediately converts the crisis into …

Indiana Jones is physically hunched beneath a single seat lamp, reading Abner Ravenwood's journal article and tracing routes on a hand-drawn map of Nepal; he quietly converts research and grief …

Enters calmly, learns of Abner's fate, presses Marion for a specific bronze sun piece, produces money from a money belt, lays five thousand dollars on the bar, shares a charged …

Indy sits quietly at the bar, endures Marion's physical blow with wry composure, asks about Abner Ravenwood's collection, negotiates a price for the sun piece, produces and lays down five …

Indy enters quietly, sits at the bar, endures Marion's physical blow, reveals he seeks a bronze sun piece, negotiates price (raising to $5,000), lays cash as collateral from his money …

Sits brooding at the wheel, then commits to action: starts the engine, shifts into gear, and drives away. His movement turns private deliberation into an outward decision that unknowingly invites …

Indy bursts in framed at the doorway with his bullwhip and .45, cracks the whip to snare and rip the glowing poker from Belzig's hand, fires his .45 killing the …

Indy bursts in at the door, cracks his bullwhip to disarm Belzig by yanking the glowing poker away, raises a .45 and opens fire to protect Marion, fights for control …

Bursts in through the front door with bullwhip and .45, disarms Belzig by snapping the whip around the glowing poker, fires his .45 at threats, and wrestles on the floor …

Indy smashes a chair over the Giant Sherpa's head to neutralize the immediate threat, moves rapidly through smoke, picks up his bullwhip and crumpled felt hat, scans for Marion, orders …

Indy smashes a chair over the Giant Sherpa's head, moves fast through smoke, grabs his whip and crumpled felt hat, scans the bar for Marion, pulls her protectively and attempts …

Indiana Jones is present as a welcomed guest and adult observer, quietly enjoying the familial spectacle while allowing Marion the spotlight as the monkey approaches and charms the table.

Indiana Jones sits in Sallah's courtyard cleaning and loading his .45, trading professional banter while registering Sallah's report about Tanis and reacting physically and mentally to the warning about the …

Sits in Sallah's courtyard, cleaning and methodically loading a .45 automatic, asking pointed questions about the Tanis map room and the headpiece, physically indicates the assembled headpiece, and reacts—guarded and …

Indy walks briskly with Marion through the bazaar, exchanges a teasing jab about the monkey, then immediately shifts to urgent physical leadership — dragging Marion forward and urging haste after …

Indiana Jones is moving through the bazaar with Marion, apparently unaware of the Monkey Man's brief meeting inside the building and the salute that reveals the monkey's role; he remains …

Indiana Jones walks under the balcony with Marion, moving through the busy street while largely unaware of the discrete nod that activates the hidden pursuers; he is present physically but …

Sees the encircling threat, draws his coiled bullwhip from his jacket, smacks the first attacker with the handle, snares and flips a dagger-wielding thug, and yells orders to force Marion …

Indy immediately senses the encirclement, pulls his bullwhip from his jacket, strikes the lead attacker with the handle, snares a dagger-wielding thug by the legs and flips him, then yells …

Indy executes a single, precise whip-crack to sever the stall’s support, engineering a diversion. He uses the environment, times the cut for maximum disruption, and immediately exploits the confusion to …

Indy ducks under the swinging blade with instantaneous reflex, then follows through with a forceful groin kick that incapacitates the Bad Arab Swordsman, prioritizing survival and progress in the chase …

Indiana Jones is invoked by Marion's shout but is not physically present in the scene; his name functions as a signal intended to bring aid and to unnerve the captors …

Indy hears Marion's cry, locks onto the retreating basket, snaps his whip to trip the last pursuer, then frantically pushes through a surging, panicked crowd toward the building the escorts …

Indy fights through a surging crowd, repeatedly glimpses the basket around corners, then physically boosts himself onto a wall to gain a clear line of sight and deliberately alters his …

Indy cracks his whip to strike the two couriers and their basket, then steps forward with his .45 trained on them. He inspects the spilled contents, advances menacingly, and abruptly …

Indy is driven back by machine‑gun fire, dives for cover, and through intermittent glimpses witnesses two thugs carrying a screaming Marion in a rattan basket before it is thrown into …

Indy is physically present near the truck but does not see the basket fall into the cargo; he remains focused and active in pursuit or interference with the Nazi transport …

Indy seizes a rare lull in the gunfire, deliberately aims at the German Agent's profile and fires three careful shots; he is then blown across the square by the ensuing …

Drunk and despondent, Indy finishes a fifth, accepts a fresh bottle, is escorted across the room by German henchmen, sits opposite Belloq, endures taunts about Marion and the Ark, and …

Drunk and grieving, Indy finishes a fifth of bourbon, confronts Belloq with an impulsive murder threat, sits unsteady, listens as Belloq taunts and reveals the Ark's nature, then abandons violence …

Drunk and grieving, Indy finishes bourbon, reluctantly moves to Belloq’s table, exchanges barbed dialogue, restrains himself from violence, accepts the children's interruption and slips away escorted by them.

Sits tense in the truck cab, confesses Marion's death, listens as Amir deciphers the headpiece, reacts with guarded hope then laughing relief when the measurement reveals the Nazis' error; distractedly …

Sits cramped in the truck cab, distractedly handles food while listening to Amir decode the headpiece; flips dates into the air twice, almost eats one, and is stunned into sheepishness …

Arrives exhausted, announces Marion's death, presses for confirmation about the map room, holds and tosses dates and food while listening to Amir decode the headpiece; shifts from grief to tense …

Indiana Jones, disguised as an Arab, exits Sallah's cab, crosses to Omar, gestures toward the dunes, exchanges a compact, practical understanding, pats Omar on the back, then returns to Sallah's …

Indiana Jones stands on the rise surveying the Tanis digs, reacts aloud to the scale of the operation, asks strategic questions, and issues the decisive command to move immediately.

Riding in the back of Sallah's truck disguised as an Arab digger, Indy adopts the same posture and appearance as the other laborers and deliberately slips out of sight when …

Indy moves quietly between tents carrying a nearly seven‑foot wooden staff, casually inspects and probes the five‑foot skylight with the staff, drops the staff into the unseen chamber, then immediately …

Indy drops twenty feet into the chamber, tugs the rope as it is pulled up, studies the illuminated model and frescoes with obvious wonder, produces the welded headpiece from his …

Indiana Jones is physically examining Belloq's scale model: leaning over the diorama, tracing the white tape, inspecting the red-painted miniature, and studying the mosaic baseline while sunlight moves across the …

Indy physically places the Staff of Ra into the correct depression, adjusts the headpiece with exacting care, watches the sunlight inch across the miniature city, and registers concentrated focus followed …

On his knees at the miniature model, Indy measures from Belloq's mark to his own, reads the correct measurement, pulls the headpiece off the staff and conceals it in his …

Indy measures Belloq's mistake, removes and conceals the Staff of Ra headpiece in his robes, snaps the wooden staff, moves beneath the skylight, calls repeatedly for Sallah, then beams and …

Indy pops his head and then his body out the skylight, emerges into bright daylight, begins moving toward the tents, is singled out by a guard's call and instantaneously adopts …

Indiana Jones hustles in the cramped space between tents, presses himself to the canvas, reads seams and shadow for an opening, and slips silently into a neighboring tent to avoid …

Indiana Jones discovers Marion tied and gagged, tears away her gag, embraces and kisses her, draws then decisively sheaths a knife, re-gags Marion to muffle her screams, promises to return, …

Rushes to Marion, rips the gag from her mouth, embraces and kisses her; momentarily produces a knife, then consciously pockets it, re-gags Marion and departs after promising to return — …

Runs up the dune with Sallah, crests the ridge, immediately scans the far lip, registers Omar's truck and men, and shifts from tense reconnaissance to determined action ready to descend …

Indiana Jones perches on an elevated dune, operates a brass surveyor’s instrument to sight a bearing from the Tanis map-room coordinates, reads the alignment across the Nazi digs, and shouts …

Indiana Jones is physically present in the pit, digging alongside Sallah and Omar from day into night; he works furiously, soaked in sweat, driving the pace and accepting the slow, …

Leads the inspection at the pit's edge, holds and then drops a torch into the Well, visibly blanches at the sight of the snakes, vocalizes horror, then suppresses panic to …

Indy leads the inspection at the rim, lowers a torch into the darkness, reacts with visceral panic at the sight of thousands of asps, then visibly steels himself and issues …

Indy descends first, accidentally brushes a crumbling pillar, lands on the Well floor, grabs an oil canister, pours two parallel lines of oil and ignites them to form a flaming …

Swings down from the hole on a rope, accidentally brushes a nearby stone pillar which sheds rubble, lands on the Well floor, grabs an oil canister, pours two parallel lines …

Drives the physical retrieval: he forces the stone lid with Sallah, fits poles through the Ark's rings, lifts and crates the Ark, throws a torch at a nearby pool of …

Indy physically pries and helps lift the Ark, fits and withdraws poles, secures the artifact into the wooden crate, throws a torch to repel nearby snakes, seizes the exit rope …

Present at the rim and directly addressed by Belloq; a defeated, isolated figure as allies are held at bay and the crate lies exposed—his presence is the foil to Belloq's …

Indiana Jones catches Marion as she falls, drops and grabs torches, splashes oil to lay a flaming path, drags Marion to a protective circle, wraps his whip high on a …

Indy quickly assesses the sealed chamber, pours oil to create a lit corridor and protective ring for Marion, wraps his whip high on a pillar, climbs with a torch clenched …

Indy moves steadily ahead, answering Marion, restraining humor under stress, then abruptly grabs Marion's shoulder and points to the crack of sunlight—shifting the moment from panicked survival to directed escape.

Leads navigation through the dark catacomb passages, answers Marion's anxious questions with clipped humor, physically grabs and points Marion toward the crack of sunlight, and steadies the momentary panic so …

Hidden with Marion, Indy breaks cover to fight two German mechanics: he grapples, executes a punishing left-right-left combination and a knockout right cross, then races through spilled aviation fuel, bloodied, …

Indy emerges from the excavation, wrestles openly with two German mechanics amid spinning propellers, incapacitates one with a final right cross, skids through gasoline toward the cockpit and yells at …

Indiana Jones, soot- and oil-splotched, crouches in a tent flap with Marion, greets Sallah with visible relief, processes the news about the Ark, asks 'Where is it?' and prepares to …

Hiding with Marion in a tent flap, soot- and oil-streaked, embraces Sallah in relief, questions where the Ark is, and immediately follows Sallah out of the camp to pursue the …

Crouched behind water barrels with Marion and Sallah, Indy watches the Ark loaded, issues concise evacuation and rendezvous orders, then abruptly leaves the hiding spot and runs between tents in …

Indiana Jones bursts from the tents already mounted on a white Arabian stallion, driving the animal into a full gallop across the desert. He converts concealment into forward motion, seizing …

Indy moves cross-country with urgent precision: leaping gullies, climbing dunes and sliding slopes while timing his pace along a parallel ridge to close on and shadow the convoy without being …

Emerges at speed from between boulders on his white Arabian, stands in the saddle, leaps onto the truck cab, flips the cab guard out and immediately grapples with the driver, …

Indy suppresses and ejects the Truck Driver, seizes the wheel, eyes the lead staff car in his mirrors, purposely sideswipes tunnel walls to clear boarders, slams brakes to hurl two …

Indy fights briefly with the Truck Driver, then takes full control of the wheel, intentionally sideswipes the tunnel walls, slams the brakes to dislodge boarders, and floors the gas to …

Indy drives the truck with laser focus, forcing the vehicle down a lane so narrow there are inches to spare; he maintains a shrinking lead while consciously navigating hazards and …

Drives the truck into the square at speed, brakes and skids directly into Omar's open garage, forcing the door to slam behind him and taking refuge inside; physically present and …

Indiana stands in the pool of light at the top of the gangplank embracing Marion tightly; his posture is protective and relieved, sharing a private moment while the ship finishes …

Indy enters weary, removes hat, jacket, whip, holster and boots, sits on the cot, rubs his eyes, listens closely, offers apology, suggests closing accounts, kisses Marion and surrenders to a …

Indy enters, removes hat, jacket, whip, holster and boots, sits wearily on the cot, exchanges direct lines with Marion, offers an apology and proposal to close past accounts, then kisses …

Indy moves from rest into action: he fastens his holster, takes his whip and jacket off the hook, assesses the situation aloud by confirming the engines have stopped, and decisively …

Indiana Jones charges up the steps four at a time, physically overtaking the messenger pirate and vanishing toward the bow without pausing to acknowledge orders or obstruction.

Appears behind Katanga, asks what is wrong, turns to look and reacts aloud with alarm ('Holy shit'), then is instructed to go belowdecks with Marion and follows Katanga's lead toward …

Indy is actively sprinting across the upper deck, stops or leans to look over the rail, and visually confirms two enemy rafts. His physical urgency transforms into instant tactical awareness, …

Indy hurtles down the lower-deck stairs, rounds a corner, sees a growing Nazi sweep and immediately throws himself backward out of view, then fades into the ship's twisting corridors to …

Indy hurls himself down the stairs, rounds a corner, immediately drops back out of view and steps backward into the ship’s maze to avoid being seen while he assesses Marion’s …

Indiana Jones is referenced by Katanga as dead — a reported casualty used to rationalize bargaining; he is not present in the scene and his status is asserted but unverified.

Indy appears suddenly amid the aft rail, drags his soaked body onto the sub, loses his felt hat, fights rising water across the deck, clambers the ladder to the conning …

Indy erupts from the sea, drenched and hatless, claws onto the Wurrfler’s main deck, is swept by rising water, scrambles up the ladder to the turret and fastens himself to …

Indy clings to the periscope, most of his body afloat in the water behind him while intentionally keeping a small portion of skin out of the sea to be warmed …

Waterlogged and exhausted, Indy is clinging to the surfaced periscope while fighting the whip's wet leather digging into his skin; every breath and movement is pained and measured as he …

Clinging to the exposed periscope, Indy peers through half-open eyes at the sharks running alongside. Physically spent, he stops fighting the situation and allows his eyes to close, surrendering to …

Indiana Jones is physically present at the periscope, staring through barely open eyes at the circling sharks, emotionally spent and relinquishing active struggle as his eyelids close toward unconsciousness.

Lying at the periscope with eyes barely open, physically drained and emotionally hollow, Indy watches sharks run alongside the surface, utters a resigned internal line and lets his eyes close …

Perched on the submarine periscope, Indy blinks awake, inventories his battered body, frees his aching arms from the wet whip (leaving one loop at his waist), clings as the sub …

Indiana Jones is physically anchored to the sub's periscope with crossed legs and the whip, clutching an improvised leather air bubble; vegetation rips the bubble away, the sub pulls him …

Indiana Jones is lashed to the periscope by legs and whip, loses his makeshift leather air bubble when a clump of seaweed rips it free, is pulled off the periscope, …

Indy is concealed atop the periscope, whip looped around it; he barely avoids detection when the whip droops near passing sailors, then quickly reclaims it after the Wurrfler’s captain reacts.

Concealed on the submarine's turret above the dock, Indy keeps his body hidden while his coiled bullwhip dangles from the periscope; when the captain almost discovers it, Indy silently retrieves …

Indy is moving up the tunnel when he hears approaching cars; he immediately slips into shadow, holds still while the mine car passes, and then continues his cautious, stealthy progress …

Breaks from the tunnel shadows, climbs the back of a high supply stack, peeks over and systematically surveys the command center, visually locking onto the Tabernacle, the second tunnel mouth, …

Indiana Jones bursts into the Tabernacle carrying a bazooka aimed at the Ark, issues a direct threat to blow the Ark and base unless Marion is produced, is wrestled down …

Indiana Jones storms into the Tabernacle with a bazooka shouldered and trained on the Ark, verbally threatens to destroy it unless Marion is produced, and is physically tackled and subdued …

Dragged out of the Tabernacle bound by two guards, exposed and powerless in the procession; transformed from agentive explorer into a tableau of captivity and threat.