Lwaxana Troi

N/A (off-screen, but her anticipated presence evokes Picard’s anxiety and the crew’s strategic use of her as leverage).

Initially playful and amused, but rapidly shifting to fiery defiance as Tog's proposition escalates her anger.

Righteously indignant, then triumphantly defiant—her anger at Tog’s objectification is genuine, but there’s also a performative edge, as if she’s enjoying the spectacle of putting him in his place. Underneath, her telepathic jabs at Deanna suggest a simmering resentment over her daughter’s rejection of Betazoid traditions.

Righteously indignant, masking deep discomfort at being treated as a commodity. Her defiance is a shield against the fear of losing autonomy.

Defensive → Hurt (by Tog’s insults) → Manipulative (using Deanna’s life as a battleground) → Vulnerable (telepathic farewell, correcting herself mid-sentence).

A volatile mix of defensive pride (boasting about her lineage), hurt vulnerability (revealed in her trance and the name correction), and frustrated longing (for Deanna’s conformity to her vision of happiness). Her emotional state is performative—she masks pain with dignity and criticism, but the slip into calling Deanna ‘Little One’ and the abrupt correction expose her raw need for intimacy.

A mix of smug satisfaction (during the picnic), defiant pride (when confronting Tog), and underlying fear as she is abducted and humiliated.

Playfully smug at first, shifting to defiant as Tog’s advances escalate, then vulnerable and exposed as the abduction unfolds—her usual confidence shattered by the sudden loss of control.

Playful → meddlesome → defiant → fearful → vulnerable. Her emotional arc reveals her as both the architect of the picnic’s disruption and a victim of Tog’s Ferengi greed, her Betazoid pride crumbling under his objectification.

Feigned vulnerability masking deep calculation and maternal protectiveness. Surface-level charm and defiance conceal her strategic assessment of Tog’s weaknesses and her determination to outmaneuver him.

Feigned confidence masking deep anxiety, but driven by maternal protectiveness and a steely resolve to outmaneuver her captors.

Calculatingly composed on the surface, masking deep maternal anxiety and a simmering anger at the Ferengi's treatment of her daughter. Her emotional state is a careful balance of feigned vulnerability and steely resolve, driven by the need to protect Deanna at all costs.

Calculating and detached, masking subtle disdain beneath a veneer of feigned affection and charm. Her focus is razor-sharp, driven by the need to protect Deanna and Riker, but there is a flicker of revulsion at the necessity of her actions.

Protective and subtly triumphant (her manipulation of Tog is working), but with an undercurrent of tension—she knows the stakes, and her own safety is tied to Riker and Troi’s success. There’s also a hint of maternal pride in her tone, a recognition that Deanna is rising to the occasion.

Surface: Playfully flirtatious, confident, and in control. Internal: Coldly calculating, subtly triumphant, and hyper-aware of the stakes. Her telepathic exchange with Deanna reveals a flicker of maternal urgency beneath the veneer.

Not physically present, but her abduction evokes concern for her safety and the broader implications for Betazed and Starfleet.

N/A (off-screen, but implied to be distressed, resourceful, or in danger—her telepathic abilities would make captivity particularly challenging).

Feigned allure masking deep disdain, shifting to resigned defiance as her leverage collapses under Farek’s threats.

Surface: Feigned warmth and obedience (toward Tog), then indignant defiance (toward Farek). Internal: Cold calculation masking deep contempt for Tog’s weakness, with a flicker of alarm at Farek’s intervention. Her true emotions—disgust, urgency, and a hint of desperation—are buried beneath layers of performance, but her micro-expressions (e.g., the muttered 'How repugnant') betray her revulsion.

Distressed and in pain; her emotional state is inferred through Deanna’s reaction, creating a sense of shared suffering and urgency.

In agony (implied through Troi’s reaction). Her suffering is a silent but overwhelming force in the scene, driving the urgency of Riker and Troi’s actions.

Agonized, humiliated, and enraged—but her telepathic screams also carry a defiant undercurrent, as if her mind refuses to fully submit. The pain is searing, but her spirit remains unbroken, a testament to her strength and the deep bond she shares with Deanna.

Resolute defiance masking deep maternal love and urgency. She projects confidence and control, but her telepathic insistence to Deanna reveals underlying fear and sacrifice—she knows this is the only way to ensure their safety, even if it means her own captivity. Her emotional state is complex: she is both in charge and vulnerable, using her wit and charm to distract from the pain of her decision.

Resolute yet vulnerable—exuding confidence in her negotiation tactics but betraying a flicker of fear beneath her bravado, especially when telepathically pleading with Deanna. Her emotional state is a complex blend of maternal love, cultural pride, and the weight of her own sacrifice.

Playfully triumphant, with lingering affection for Picard’s performance and a hint of maternal satisfaction at the rescue’s success.

Triumphant and playful, reveling in the success of her manipulation, with a undercurrent of genuine affection for Picard’s performance and Deanna’s exasperation.

Amorous and triumphant, reveling in the success of her bluff and the discomfort it causes Picard. Her emotional state is a mix of playful glee at outmaneuvering Tog and genuine affection for her daughter (though expressed in meddlesome ways). She is entirely unrepentant, treating the hostage crisis as an opportunity to assert her influence over both Picard and Deanna. Her post-rescue embrace of Picard is less about gratitude and more about asserting her presence and testing his boundaries.

Playfully triumphant during the bluff, basking in the attention and chaos she’s orchestrated. Post-rescue, her emotional state shifts to lingering amusement and a refusal to relinquish the moment’s drama, particularly in teasing Deanna.