Fabula
S2E10 · The Dauphin
S2E10
· The Dauphin

Synchronous Moons — Doubt and Tender Consolation

On the holodeck Wesley shifts the program to a breathtaking Rosseau Five to give Salia a taste of the life she longs for. As the moons synchronize and a chord swells, Salia admits she has only learned about worlds she has never lived in and quietly confesses she doubts she'll ever see them. Wesley answers not with arguments but with small, intimate comforts—drinks and Thalian chocolate—creating a fragile, hopeful intimacy that crystallizes the story's central conflict between desire and imposed duty and raises the emotional stakes for the coming confrontation.

Plot Beats

The narrative micro-steps within this event

2

Salia’s mood fractures into pensive doubt—she says 'I don't think so' about seeing these worlds and suggests leaving—introducing the scene’s core conflict: desire for freedom colliding with the reality she anticipates.

hopeful enchantment to quiet doubt

Wesley pivots to comforting intimacy—offering refreshments and more Thalian chocolate—Salia brightens, and Wesley’s smile confirms the rare, private happiness he feels, underscoring how their personal connection intensifies despite looming duty.

melancholic doubt to fleeting warmth ['Holodeck: private, intimate moment']

Who Was There

Characters present in this moment

3

Mesmerized and wistful on the surface; underneath, conflicted and quietly defeatist — longing tempered by the weight of duty and uncertainty about leaving Klavdia Three.

Salia watches the simulation with visible wonder, vocalizes both curiosity and the trained knowledge of her sheltered upbringing, then slips into a sudden, quiet doubt about actually seeing other worlds; she accepts Wesley's offered comforts and briefly brightens at the prospect of chocolate.

Goals in this moment
  • To savor a moment of beauty and connection without provoking political consequences.
  • To test — cautiously — whether escape from her learned limitations is imaginable.
  • To avoid admitting fear directly, instead using small talk to deflect.
Active beliefs
  • That knowledge (what she learned on Klavdia Three) is distinct from lived experience.
  • That her obligations or circumstances may prevent her from actually traveling.
  • That small comforts (like chocolate) are safe forms of pleasure she can accept.
Character traits
wide-eyed curiosity vulnerability resignation politeness wistful
Follow Salia's journey

Warmly hopeful and gently affectionate; pleasure at sharing beauty, with an undercurrent of earnest desire to console and inspire Salia without pressuring her.

Wesley deliberately reconfigures the holodeck to Rosseau Five, narrates the possibilities of exploration, stays physically close to Salia, offers drinks and Thalian chocolate, and frames hope rather than debate through small, tender gestures.

Goals in this moment
  • To comfort Salia and reduce her anxiety about the unknown.
  • To inspire hope and broaden Salia's sense of possible futures through experience rather than argument.
  • To create intimacy and connection by using sensory, nonverbal comforts.
Active beliefs
  • That experiencing a place (even simulated) can open someone's imagination more effectively than explanation.
  • That Salia deserves kindness and small consolations rather than forceful persuasion.
  • That the galaxy holds wonders and opportunities worth striving for.
Character traits
reassuring inventive restrained romanticism optimistic attentive to emotional detail
Follow Wesley Crusher's journey

Functionally neutral — provides sensory and environmental changes that enable the human emotional exchange.

The Enterprise Computer responds to Wesley's command by instantiating the Rosseau Five holoprogram, generating synchronized moons, shooting stars, and the musical swell that informs the scene's emotional cadence, executing the request efficiently and without affect.

Goals in this moment
  • To execute the holodeck command accurately and promptly.
  • To maintain the program parameters and sensory fidelity requested.
Active beliefs
  • That program instructions should be carried out as given.
  • That the holodeck environment can be rendered to specified settings and cues.
Character traits
precise responsive neutral mechanical
Follow Custodian Voice's journey

Objects Involved

Significant items in this scene

5
Holodeck Program: Rosseau Five

The Holodeck Program 'Rosseau Five' is the active simulation Wesley calls up; it supplies the visual motifs (moons, shooting stars), tactile sensations (breeze, drop to infinity), and the single note-to-chord audio cue that shape the scene's intimacy and provide the narrative vehicle for Salia's longing and Wesley's consoling.

Before: The holodeck was running a shooting-star display (Rosseau …
After: The program shifted to Rosseau Five and continued …
Before: The holodeck was running a shooting-star display (Rosseau Vista) that mesmerized both characters.
After: The program shifted to Rosseau Five and continued to run, sustaining the intimate tableau until the scene's end.
Rosseau Five Comfort Drinks

The comfort drinks act as a tactile, social prop offered by Wesley to break tension and extend intimacy; they punctuate the scene's shift from wonder to private conversation and provide a pretext for Salia to request more Thalian chocolate, signaling emotional connection.

Before: Comfort drinks are available as part of the …
After: The offer is made and the drinks are …
Before: Comfort drinks are available as part of the holodeck program's accoutrements or dispensary; not yet held by characters.
After: The offer is made and the drinks are implied to be served or handed, reinforcing the intimate, domestic tone.
Rosseau Vista Shooting Stars

Shooting stars form the initial spectacle that mesmerizes both characters and provide continuity from the earlier program to the new Rosseau Five vista; they maintain the scene's wonder and reinforce the sense of scale and awe that undercuts Salia's later doubt.

Before: A spectacular display of shooting stars was already …
After: The shooting stars remain part of the Rosseau …
Before: A spectacular display of shooting stars was already in progress, captivating Wesley and Salia.
After: The shooting stars remain part of the Rosseau Five sensory tableau, complementing the moons and music.
Rosseau Vista Synchronized Moons

The synchronized holodeck moons orbit and splash colored light across Wesley and Salia's faces; their coming into synchrony is explicitly signaled by Wesley and becomes a visual catalyst for Salia's poetic line that the place has a voice, deepening the mood and representing harmony/possibility.

Before: Moons were present and rotating independently as part …
After: Their orbits close into synchrony, bathing the characters …
Before: Moons were present and rotating independently as part of the holodeck display.
After: Their orbits close into synchrony, bathing the characters in coordinated color and contributing to the swell of sound.
Thalian Chocolate Mousse (Wesley's Portion)

Wesley's Thalian chocolate functions as a remembered/sensory comfort referenced by Salia and requested again; it symbolizes small, permissible pleasures and becomes an emblem of human tenderness that Wesley uses to console rather than lecture.

Before: A prior portion of Thalian chocolate existed (they …
After: Chocolate remains available (Salia asks for more) and …
Before: A prior portion of Thalian chocolate existed (they had tasted it earlier), remembered fondly by Salia.
After: Chocolate remains available (Salia asks for more) and functions narratively as a comfort prop and bond between the two.

Location Details

Places and their significance in this event

3
Klavdia Three

Klavdia Three is referenced as Salia's origin, supplying the backstory that explains her rich intellectual knowledge but lack of direct experience; it operates offstage as the social constraint shaping her doubts and the emotional friction of the scene.

Atmosphere Implied as sheltered, institutional, and didactic — a contrast to the holodeck's open wonder.
Function Narrative source of Salia's limitations and obligation-driven worldview; the remembered origin that complicates her longing.
Symbolism Symbolizes containment and learned restraint versus the freedom represented by the Rosseau panorama.
Access Not physically present in the scene; a political/sociological constraint on Salia's life.
Mention of classrooms and guarded upbringing (implied institutional smell and routine) Evokes images of contained, studied life rather than lived exploration
Rosseau Five — Tiny Point of Land

The tiny point of land inside the Rosseau Five program is the immediate stage where Wesley and Salia stand; its vertiginous drop and exposed nature compress intimacy and make vulnerability literal, forcing the characters to confront longing at a dramatic edge.

Atmosphere Exposed, breath-stealing, vertiginous — intimate in scale but vast in implication, lending each line added …
Function Stage for private, elevated emotional exchange; a minimal set piece that amplifies the psychological stakes.
Symbolism Represents the precipice between safety (Klavdia Three upbringing) and the vast unknown beyond — a …
Access Part of the holodeck program; only accessible within the simulated environment.
Hard, windswept promontory Sense of dropping off into infinity Close orbiting moons and a faint, alien breeze
Holodeck Three (USS Enterprise)

The Holodeck is the contained theatrical space where the Rosseau Five program is instantiated; it functions as a private refuge aboard the Enterprise where technology can simulate distant worlds and allow forbidden intimacy and honest confession away from political scrutiny.

Atmosphere Quiet, hushed, intimate, and wondrous — the mood shifts between exhilaration and fragile melancholy as …
Function Sanctuary for private reflection and emotional connection; a controlled space that enables the simulated experience …
Symbolism Symbolizes safe possibility — a technological doorway to the wider life Salia longs for and …
Access Privately accessed by crew; not publicly open—effectively a secluded environment for personal use.
Synchronized luminous moons bathing faces in colored light A shower of shooting stars arcing overhead A single musical note building into a swelling chord A tiny promontory that drops to infinity and a thin alien breeze

Narrative Connections

How this event relates to others in the story

What led here 4
Causal

"The instant attraction on the transporter (magnet flirtation) directly seeds the intimate holodeck encounter — the initial spark becomes the emotional foundation for their later closeness."

First Contact: Salia and Anya Beam Aboard
S2E10 · The Dauphin
Causal

"The instant attraction on the transporter (magnet flirtation) directly seeds the intimate holodeck encounter — the initial spark becomes the emotional foundation for their later closeness."

Imperious Arrival: Anya's Demand and Picard's Diplomatic Ruling
S2E10 · The Dauphin
Causal

"The instant attraction on the transporter (magnet flirtation) directly seeds the intimate holodeck encounter — the initial spark becomes the emotional foundation for their later closeness."

Salia Boards — Anya Draws the Protective Line
S2E10 · The Dauphin
Causal

"The instant attraction on the transporter (magnet flirtation) directly seeds the intimate holodeck encounter — the initial spark becomes the emotional foundation for their later closeness."

Superconducting Attraction
S2E10 · The Dauphin
What this causes 3
Escalation

"The tender holodeck sequence escalates into Wesley's radical offer that Salia stay aboard — intimacy intensifies stakes from flirtation to an actionable proposal."

Under Stars: Wesley's Offer and Salia's Flight
S2E10 · The Dauphin
Escalation

"The tender holodeck sequence escalates into Wesley's radical offer that Salia stay aboard — intimacy intensifies stakes from flirtation to an actionable proposal."

Confession, Offer, and Flight
S2E10 · The Dauphin
Escalation

"The tender holodeck sequence escalates into Wesley's radical offer that Salia stay aboard — intimacy intensifies stakes from flirtation to an actionable proposal."

The Offer and the Flight
S2E10 · The Dauphin

Key Dialogue

"SALIA: "I have learned about them. That is all I did on Klavdia Three... was learn. I know so much, but I've seen so little.""
"WESLEY: "Then, think of what you have to look forward to. This is the best time to be alive.""
"SALIA: "I don't think so.""