Narrative Web
S2E22
· Shades of Gray Flashback

Tactile Seduction Becomes a Test

In a sensuous Edo memory, Beata moves from playful to insistent—touching Riker, topping off his drink and kissing his cheek—while Riker stiffens, invoking non‑interference and trying to keep a professional distance. Beata reframes the encounter as an 'interaction' for learning, gradually converting his boundary into consent. Subtextually this is a battle between curiosity, duty and desire: Riker's hesitation reveals moral restraint, Beata's pressure reveals cultural expectation and personal hunger. Dramatically, the scene amplifies Riker's positive emotional stimulus—heightening the medical crisis by feeding the organism that’s tracking his endorphin responses.

Plot Beats

The narrative micro-steps within this event

2

Beata initiates tactile flirtation with a compliment, while Riker leans away and draws a firm non-interference boundary.

flirtation to restraint ["Flashback: S01E14 'Angel One'"]

She tops off his drink and reframes the encounter as "interaction" for learning, pressing him until he agrees.

guarded to permissive ["Flashback: S01E14 'Angel One'"]

Who Was There

Characters present in this moment

2
William Riker
Commander
 primary

Conflicted—flattered and attracted on the surface while inwardly trying to keep professional distance and obey Starfleet principles.

Riker physically withdraws from Beata's touch, verbally asserts Starfleet non‑interference, concedes that interaction for learning is acceptable, and admits attraction while remaining guarded and awkwardly resistant.

Goals in this moment
  • • to maintain professional and ethical boundaries as a Starfleet officer
  • • to extract necessary information and leave without compromising the mission or away team
Active beliefs
  • • non‑interference is a critical Starfleet principle that should guide his conduct
  • • interaction for learning is different from interference and is an acceptable diplomatic avenue if controlled
Character traits
restrained dutiful politely evasive self-aware
Follow William Riker's journey
Beata
The Elected One
 primary

Deliberately steady desire mixed with strategic curiosity—she is emotionally hungry but masks it as anthropological interest and social pedagogy.

Beata initiates physical contact and reframes it as cultural inquiry: she comments on the tunic, reaches across Riker to lift the liquor bottle and top his glass, moves in to touch his chest and kisses his cheek while questioning his resistance.

Goals in this moment
  • • to convert a diplomatic meeting into an intimate 'interaction' that tests Riker's boundaries
  • • to learn about and demonstrate her society's gendered norms while securing personal attention
Active beliefs
  • • physical intimacy can be reframed as cultural interaction and therefore is diplomatically permissible
  • • Riker's presence and willingness to 'interact' imply tacit consent or curiosity she can exploit
Character traits
seductive assertive politically savvy calmly provocative
Follow Beata's journey

Objects Involved

Significant items in this scene

3
Beata and Riker's Executive Office Drink (Angel One)

The small glass of amber drink is the immediate prop of intimacy—Beata tops it off for Riker, they cradle it between exchanges, and it punctuates the flirtatious rhythm while serving as a reason for her reaching across him.

Before: A low, clear glass with an amber beverage …
After: Refreshed with more liquor, briefly handled by Beata …
Before: A low, clear glass with an amber beverage rests on a surface near Riker.
After: Refreshed with more liquor, briefly handled by Beata and Riker during their exchange, then set back down.
Riker's Bottle of Liquor (Executive Office)

A handheld bottle of liquor functions as a tactile instrument of intimacy and control: Beata reaches for it across Riker, lifts it to top off his drink, and thereby creates a physical pretext for closeness and touch while reinforcing the domestic, convivial frame of the encounter.

Before: Partially consumed bottle sitting on the executive office …
After: Momentarily in Beata's hand while she pours; then …
Before: Partially consumed bottle sitting on the executive office desk within reach.
After: Momentarily in Beata's hand while she pours; then returned to the desk, still partially consumed but functionally used to renew the shared drink.
Riker's Starfleet Tunic

Riker's tunic becomes a tactile and visual focus—Beata compliments how his eyes pick up its color, touches the fabric, and thereby uses the uniform as a bridge between professional identity and sensual attention.

Before: Worn by Riker; clean, fitted Starfleet tunic with …
After: Remains worn and slightly touched where Beata contacts …
Before: Worn by Riker; clean, fitted Starfleet tunic with delta insignia visible.
After: Remains worn and slightly touched where Beata contacts it; still intact and in place.

Location Details

Places and their significance in this event

1
Angel One Executive Office

Angel One functions as the origin of the flashback: its cultural rules and sensual ceremonial life inform Beata's behavior and supply the memory that colors Riker's responses—this is not a neutral office moment but a replay of a politically charged past encounter.

Atmosphere Warm and ceremonial in recollection—sensual, politically codified, and slightly exotic to Riker's Starfleet perspective.
Function Source world for the flashback that explains Beata's framing of the encounter as an 'interaction'.
Symbolism Represents a place where personal seduction and political testing are normalized; a crucible that leaves …
Access Implicitly restricted to senior visitors and staff; door closed and away team absent.
Lush social setting implied offstage Memory‑saturated gestures (touches, kisses) that carry cultural meaning

Narrative Connections

How this event relates to others in the story

No narrative connections mapped yet

This event is currently isolated in the narrative graph

Key Dialogue

"BEATA: "But you can interact, can't you?""
"RIKER: "Of course. Otherwise, how can we learn?""
"BEATA: "You attract me like no man ever has.""