Fabula
S20E6 · Snakedance Part 2

Tegan sharpens Mara’s dominance over Hawker

Within the Hall of Mirrors, Tegan—now fully speaking with the Mara’s voice—asserts her master’s supremacy over Hawker’s mercenary instincts. She dismantles his attempt to ally on his own terms by reducing him to insignificance, underscoring the Mara’s absolute control of the moment. Hawker’s cynicism is met and neutralized by the Mara’s unyielding domination, revealing the true hierarchy of power as the Great Crystal’s corruption advances beyond containment. The Doctor and Nyssa now face an even narrower window to act before Tegan’s vessel fully surrenders to the Mara’s will.

Plot Beats

The narrative micro-steps within this event

2

Hawker expresses his pragmatic approach to life, having abandoned curiosity for financial gain. Tegan responds with her Mara-influenced voice.

detachment to ominous intent

Tegan, under the Mara's influence, asserts her dominance and diminishes Hawker's importance.

dismissiveness to self-assertion

Who Was There

Characters present in this moment

2

Externally composed and utterly assured, masking the fractured terror of Tegan’s submerged consciousness struggling beneath the Mara’s control

Tegan's body is animated by the Mara, speaking in an unaccented, commanding voice. She dismisses Hawker's posturing with cold finality, asserting the Mara's supremacy over the moment. Her posture is rigid, movements precise, devoid of her earlier human hesitation.

Goals in this moment
  • Assert the Mara's absolute authority over the scene
  • Undermine Hawker’s mercenary self-interest to prevent interference
Active beliefs
  • Tegan’s vessel exists solely for the Mara’s will and must be fully surrendered to it
  • All other entities, including Hawker, are insignificant instruments or obstacles
Character traits
dominant dismissive calculating possessed
Follow Tegan Jovanka's journey
Supporting 1
Hawker
secondary

Feigned boastfulness masking growing unease and inadequacy as his mercenary reasoning collapses under supernatural dismissal

Hawker attempts to reclaim rhetorical control, recounting his cynical philosophy of self-interest. His tone shifts from boastful justification to sudden disorientation as Tegan’s words reduce his identity and purpose to nothing.

Goals in this moment
  • Regain control of the interaction through his usual mercenary rhetoric
  • Neutralize perceived threats to his power by aligning tactically if necessary
Active beliefs
  • Self-interest governs all human transactions, and he alone controls the terms
  • Psychological manipulation through showmanship is his strongest tool
Character traits
cynical defensive verbose exposed
Follow Hawker's journey

Location Details

Places and their significance in this event

1
Hall of Mirrors

The Hall of Mirrors serves as the battleground for psychological and metaphysical control. Its distorted reflections ripple subtly, reacting to spiritual disturbances, while the high-ceilinged chamber amplifies Tegan’s voice as the Mara speaks through her. The groaning mirrors reinforce the illusion of infinite reflections, heightening the unnatural atmosphere.

Atmosphere Tense with invisible pressure, the air thick with whispered serpentine promises and the metallic tang …
Function Psychological dominance arena where the Mara asserts control over individuals through mind and reflection
Symbolism Represents the fractured nature of identity and perception under psychic corruption; mirrors distort truth, just …
Access Open to the public but psychically monitored and controlled by the Great Crystal’s influence
High-ceilinged chamber lined with waist-high mirrors pulsing with golden veins Single pedestal holds a fractured obsidian shard whose surface cracks in time with Tegan's heartbeat

Narrative Connections

How this event relates to others in the story

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Key Dialogue

"HAWKER: Enough's enough. I said I was impressed, as impressed as I need to be. I'm not a curious man. I was once, a long time ago. I was a humble student of life's mysteries. A treader of the secret pathways, a delver into the darker corners and so forth. All rubbish, of course. At the end of the day, when the lights come up, as in one form or another they always do, there's always somebody standing there with their hand out, waiting to be paid. I decided long ago that person might as well be me. Or, in present circumstances, us."
"TEGAN: Us."
"TEGAN: Who exactly are you? You're not important. There is only one. Only he matters more than what is to be done here."