Master forces factory system override
Plot Beats
The narrative micro-steps within this event
The Master, having attached an energy unit to machinery, instructs Farrel to lead him to the computer. Farrel complies, unaware the Master intends to deviate from the original plan, alarming Farrel with his intentions to alter production lines.
Farrel voices his concerns over the Master's plan to change production lines, invoking his father's authority, but the Master dismisses his concerns and asserts his control, indicating a shift in power dynamics within the factory.
Who Was There
Characters present in this moment
Startled and vulnerable, with a underlying current of determination. The exposure of her hiding place triggers a surge of adrenaline, but she masks her fear with a feigned casualness, buying time to assess her next move.
Jo Grant crouches behind a stack of milk crates, her breath shallow as she watches the Master and Farrel. Her attempt to remain hidden is undermined when she knocks over a pile of small boxes, the clatter drawing the Master’s immediate attention. She freezes as his gaze locks onto her, her forced ‘Oh, hello’ betraying her tension. Her body language is tense and vulnerable, her eyes wide with the realization that she’s been exposed in a high-stakes situation.
- • Avoid detection by the Master to continue gathering intelligence on his plans.
- • Find a way to alert UNIT or the Doctor about the Master’s activities without compromising her position further.
- • The Master’s hypnotic control over Farrel proves how dangerous he is, and she must proceed with extreme caution.
- • Her training and instincts are her best tools for surviving this encounter, even if she’s outmatched.
Coldly triumphant, with a predatory edge that sharpens upon spotting Jo Grant. His control over Farrel fills him with a sense of invincibility, but Jo’s presence introduces a flicker of irritation—an unexpected variable in his otherwise flawless plan.
The Master strides through the plastics factory with predatory confidence, his hypnotic influence over Farrel evident in the latter’s submissive demeanor. He attaches the Nestene energy unit to the machinery earlier in the scene, then compels Farrel to guide him to the central computer. His dialogue is sparse but laden with menace, particularly when he silences Farrel’s protests with the chilling line ‘You are under a new thumb now.’ His gaze sharpens as he notices Jo Grant’s accidental reveal, shifting his focus from strategic manipulation to immediate predation. The Master’s physical presence dominates the space, his actions calculated and ruthless.
- • Seize control of the plastics factory’s central computer to repurpose it for Auton production, deviating from the Nestenes’ original masterplan.
- • Eliminate or neutralize any threats to his takeover, including Jo Grant’s presence, to ensure uninterrupted progress.
- • Human resistance is futile once under his hypnotic influence, as demonstrated by Farrel’s subjugation.
- • The Nestenes’ original plan is inferior to his own vision, and he is justified in altering it to suit his ambitions.
Deeply anxious and resigned, with flashes of residual fear. His protests are perfunctory, his voice trembling as he clings to the remnants of his authority, but the Master’s hypnotic control leaves him emotionally hollowed out.
Farrel follows the Master with a nervous, resigned demeanor, his protests about production lines and his father’s authority weak and half-hearted. The Master’s hypnotic influence is evident in how Farrel’s voice trails off when challenged, his final resistance crushed by the line ‘You are under a new thumb now.’ He moves mechanically, his body language submissive and defeated, a stark contrast to his earlier role as the factory’s manager. His compliance is absolute, his will broken.
- • Avoid provoking the Master’s wrath, even as he weakly resists the alterations to the factory’s operations.
- • Maintain the illusion of control over the factory, though his actions betray his total subjugation.
- • The Master’s power is absolute, and resistance is futile, as demonstrated by his hypnotic hold.
- • His father’s authority is meaningless in the face of the Master’s dominance, leaving him adrift and powerless.
Objects Involved
Significant items in this scene
The factory’s machinery hums ominously in the background, its purpose shifting from plastic production to Auton creation under the Master’s direction. The Master’s command to alter the masterplan directly implicates this machinery as the critical infrastructure for the invasion. Its repurposing symbolizes the Master’s usurpation of the Nestenes’ plan, turning a mundane industrial facility into a hub for alien domination. The machinery’s presence is a constant, looming threat, its mechanical sounds underscoring the urgency of the Doctor’s mission.
The Nestene energy unit, though not physically present in this specific event, is the catalyst for the Master’s actions. Its earlier attachment to the factory’s machinery (implied by the Master’s line ‘Now the computer.’) sets the stage for the repurposing of the production lines. The unit’s presence looms large, symbolizing the Master’s alliance with the Nestenes and his intent to hijack their invasion plan. Its absence in this moment underscores the Master’s shift from preparation to execution, as he now focuses on seizing control of the central computer to alter the masterplan.
The small boxes, though seemingly insignificant, play a crucial role in Jo Grant’s exposure. As she shifts her position to track the Master and Farrel, her elbow knocks into the stack, sending the boxes tumbling to the ground. The noise they make is the catalyst for the Master’s predatory gaze locking onto her, marking the moment her presence is revealed. These boxes serve as an ironic symbol of Jo’s inexperience—her attempt to remain hidden is undone by an ordinary, everyday object, underscoring the high stakes of her mission.
Location Details
Places and their significance in this event
The Nestene Central Control Room within the plastics factory is the epicenter of the Master’s takeover, a space where industrial machinery and alien technology converge. The hum of the production lines fills the air, creating a tense, oppressive atmosphere as the Master compels Farrel toward the central computer. Jo Grant’s hiding place behind the milk crates is precarious, the cluttered floor offering both concealment and the risk of accidental exposure. The room’s functional role as the hub for Auton production is underscored by the Master’s dialogue, his intent to alter the masterplan turning this industrial space into a battleground for Earth’s fate.
While Jo Grant’s primary hiding place is within the factory, the brick retaining wall outside serves as a earlier point of concealment before she moves closer to surveil the Master and Farrel. The wall’s height and the grassy bank provide her with a vantage point, allowing her to observe the factory’s exterior while remaining out of sight. However, her movement toward the factory’s interior—where the critical events unfold—marks her transition from observer to active participant in the unfolding crisis. The wall’s role is transitional, symbolizing Jo’s shift from cautious reconnaissance to direct engagement with the threat.
Organizations Involved
Institutional presence and influence
The Nestene Consciousness and its Auton network are the indirect antagonists in this event, their influence looming over the factory’s repurposing. Though not physically present, their presence is felt through the Nestene energy unit and the Master’s dialogue, which reveals his intent to alter their original masterplan. The Nestenes’ reliance on plastic and their demand for vast production facilities are subverted by the Master, who seizes direct control over the Auton lines. This event marks a critical shift in the invasion’s strategy, as the Master’s actions threaten to accelerate the Auton production beyond the Nestenes’ original timeline.
UNIT’s presence is implicit in Jo Grant’s actions, as she operates as an undercover agent gathering intelligence on the Master’s activities. Her training and resourcefulness reflect UNIT’s protocols, though her inexperience is also evident in her accidental exposure. UNIT’s broader mission—to counter alien threats like the Nestenes and the Master—is advanced through Jo’s surveillance, even as her vulnerability highlights the organization’s limitations in the face of hypnotic manipulation and direct confrontation. The Master’s actions directly threaten UNIT’s objectives, as his takeover of the factory accelerates the Auton invasion.
Narrative Connections
How this event relates to others in the story
"The Doctor instructs the Brigadier to search plastics factories (beat_4eb034135b30bb8b). As a result, Jo visits the factory and then accidentally reveals her presence to The Master (beat_f19a2d235cfcafe7)."
Doctor confirms Nestene invasion threat"The Doctor instructs the Brigadier to search plastics factories (beat_4eb034135b30bb8b). As a result, Jo visits the factory and then accidentally reveals her presence to The Master (beat_f19a2d235cfcafe7)."
UNIT mobilizes to track Nestene unit"The Master cryptically assures Farrel that his 'people' can never have too much plastic (beat_b9cb204c0e02abd9). This foreshadows the Nestenes' intention to utilize vast amounts of plastics to create and animate Autons (beat_e37b4fd9f9fc4d01)."
Master manipulates Farrel with cold precision"Jo accidentally reveals herself to The Master (beat_f19a2d235cfcafe7) which directly leads to her being questioned by The Master about the Doctor and the Radio Telescope Station (beat_98340cf9f77ef801)."
Master hypnotizes Jo to deceive UNITThemes This Exemplifies
Thematic resonance and meaning
Key Dialogue
"MASTER: Now the computer."
"FARREL: This way."
"MASTER: I see. Excellent."
"FARREL: What are you going to do?"
"MASTER: I wish to alter the masterplan."
"FARREL: But that would change our whole production lines!"
"MASTER: Naturally."
"FARREL: My father would never dream of allowing..."
"MASTER: My dear Mister Farrel, don't worry about him. You are under a new thumb now."
"JO: Oh, hello."