Curt Doorstep Herding — Johnny's Dismissal
Plot Beats
The narrative micro-steps within this event
Julia, Kevin, and the kids arrive at Amanda's house, greeted by Johnny, who is distracted by a phone call and barely acknowledges their presence.
Julia tries to introduce herself, but Johnny ignores her, continuing his phone conversation and directing them to go downstairs.
Despite the awkward and dismissive reception, Julia, Kevin, and the kids follow Johnny's directions, heading down to the basement.
Who Was There
Characters present in this moment
Embarrassed and anxious; outwardly conciliatory while internally conscious of being judged and excluded.
Julia arrives frazzled and breathless, tries to introduce herself politely, is waved aside, and follows obediently down the basement stairs while apologising—humiliated but trying to keep the peace.
- • to introduce herself and be socially accepted into Amanda's circle
- • to secure childcare/food for the children without causing a scene
- • politeness and deference will mitigate social friction
- • acceptance by Amanda's household matters for her social standing and practical needs
Irritated and dismissive; prioritises work and control over social pleasantries, using brusqueness to enforce household boundaries.
Johnny opens the door mid-call, brusquely asks for the door to be watched, mutters irritation, waves the group inside while staying on his phone, then retreats down the corridor toward his office—issuing a pointed order to go 'down there' to the basement stairs.
- • to keep his phone call uninterrupted
- • to assert control of his household space and quickly neutralise the intrusion
- • his time (call/work) supersedes guests' needs
- • the household's social order must be maintained with minimal fuss
Awkward optimism tempered by insecurity; wants to belong but defers to perceived authority.
Kevin stands slightly behind Julia, awkward and deferential; he follows Johnny's directions without protest and shepherds the children inside, attempting to smooth the passage and avoid confrontation.
- • to help get the children inside quickly and avoid conflict
- • to be useful and thereby gain social acceptance
- • compliance will make him and Julia more welcome
- • fitting into Amanda's social group is beneficial
Mostly eager and distracted by immediate comforts (food, company); not fully aware of the social slight being performed.
The children file in behind the adults, drawn by the smell of food and following instructions obediently; they move down the stairs with minimal fuss but visible excitement.
- • to get to the food and other children
- • to follow adult directions and stay with the group
- • adults will take care of logistics
- • entry into the house means immediate reward (food/comfort)
Amanda is invoked as the homeowner whose territory is being defended; she does not appear physically but her presence is …
Objects Involved
Significant items in this scene
Amanda's front door functions as the literal and symbolic threshold: it opens to reveal Julia's party, frames Johnny's initial control of the encounter, and marks the entry point where social hierarchy is enforced via gesture and tone.
Location Details
Places and their significance in this event
Amanda's front-door threshold is the stage for the dismissal: a public-facing space where social ranking is performed and where Julia's outsider status is made visible by Johnny's brusque manner.
The corridor to the basement stairs acts as a narrowing transitional space that amplifies the social squeeze: walls close in as Johnny hurries away, and the group is ushered along with little ceremony.
Johnny's office is the retreat he withdraws into mid-call; it functions practically as his private domain and narratively as the place he cedes public interaction to by remote command (phone), emphasising his priority of work over hospitality.
The basement stairs are explicitly pointed to as the destination for the visitors; sending Julia and the children 'down there' demotes them physically and socially to a subordinate space within the household.
Narrative Connections
How this event relates to others in the story
No narrative connections mapped yet
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Part of Larger Arcs
Key Dialogue
"JOHNNY: "Can someone else keep an ear out for the door? I’m on a call!""
"JULIA: "Hi, ah, I’m--""
"JOHNNY: "DOWN THERE!""