Clare Raymond

Clare Raymond is reawakened and remains conscious; she studies the room and people with stunned sobriety and a grief‑tinged disorientation, anchoring the medical fact to human loss.

Clare Raymond remains awake after revival, surveys the Sickbay and the people around her with a no-nonsense demeanor, absorbing the disorienting reality of the twenty-fourth century while showing visible grief.

Remains awake after revival, takes in the sickbay and its occupants with clear, observant attention; her sustained consciousness turns an abstract rescue into an intimate human encounter.

Clare remains confused and vulnerable: she asks what happened, cannot recall the embolism, and identifies her husband Donald as likely responsible for arranging the cryonic preservation.

Clare is fragile and confused: she asks who arranged the freezing, struggles to remember the embolism, and names Donald as the likely responsible party — her lines register grief, bewilderment …

Clare is disoriented and repeatedly confused; she asks for explanations and names Donald as the likely purchaser of her contract, signaling grief and bewilderment more than pragmatic responses.

Clare remains disoriented and searching for personal anchors—asking who arranged her preservation and naming her husband Donald, revealing grief and dependence on familiar explanations.

Clare asks pointedly about the survivors' future—whether they will stay aboard or return to Earth—expressing need for guidance and emotional orientation amid shock.

Clare asks plaintive, existential questions about their fate—whether they will stay aboard or return to Earth—seeking human reassurance and clarity from Riker as officers are pulled away.

Clare, off to the side, begins to weep uncontrollably, vocalizing memories of her boys; her breakdown transforms the abstract dispute into an urgent human crisis that demands counseling and care.

Seated off to the side with Sonny, Clare suddenly begins to weep and tells Picard she can't stop thinking about her boys — her grief interrupts the power argument and …

Sits disoriented at the side, then is suddenly overcome by grief—softly weeping, vocalizing that she can't stop thinking about her boys—becoming the emotional pivot that breaks the room's argumentative tenor.

Clare alternates sarcasm and blunt confession, reveals Donald's choice to freeze her, then unravels into tears and names her sons and their birthplace and ages, providing the factual details Troi …

Clare is distraught and tearful, speaks candidly about her husband's decision to freeze her, and supplies the names, ages and birthplace of her two sons to Troi and the ship's …

Clare receives Troi with sarcasm, then collapses into raw grief; she names Donald as the husband who had her frozen and supplies the names, ages and birthplace of her sons, …

Clare reads or considers the genealogical information, expresses brief wonder, then collapses into the realization that everyone she loved is dead; she articulates a need for solitude and remains physically …

Clare listens with wide-eyed curiosity to Sonny's demonstration of the replicated guitar and asks questions, momentarily absorbed in the novelty — she is present and attentive when Ralph's deception draws …

Clare watches the exchange, asking how the replicated guitar was made and remaining a mostly passive, curious observer as violence erupts; she is unsettled by the attack and the breakdown …

Observes the screen showing a descendant’s portrait, experiences a momentary brightening of spirit — personal grief briefly counterpointing the bridge crisis.

Newly thawed and fragile; reacts to Troi’s discovery by recognizing names and images, cycles between grief and sudden hope as she sees a likeness to her husband and learns of …

Clare, recently revived, reacts to Troi's readout: grief is arrested by recognition as she sees a descendant's portrait and address, briefly brightening at the possibility of connection.

Clare approaches Troi's console, studies the screen readout, recognizes names and a likeness, voices startled grief and identification (naming her husband and son), and visibly shifts from desolation to a …