O'Brien's Two Marriages
Plot Beats
The narrative micro-steps within this event
O'Brien confesses his internal conflict between his career and relationship with Mitzi, revealing his fear of commitment.
Troi listens passively, either genuinely attentive or on autopilot, as O'Brien continues to express his reluctance to lose Mitzi.
Troi suggests a joint session with Mitzi to address their issues together, pushing O'Brien to confront his fears.
O'Brien immediately rejects the idea of involving Mitzi, showcasing his avoidance of direct confrontation.
Troi persists, offering to schedule another appointment, demonstrating her professional commitment to resolving O'Brien's conflict.
Who Was There
Characters present in this moment
Conflicted and anxious beneath a pragmatic surface — shame and fear of intimacy mixed with genuine affection and a desire to avoid loss.
Sits in Troi's office and speaks haltingly, confessing his identity as a 'career man' and expressing both affection for Mitzi and a refusal to risk personal entanglement; resists the idea of a joint session while admitting fear of loss.
- • to offload guilt and seek reassurance without committing to change
- • to preserve his career priority while avoiding immediate rupture with Mitzi
- • to test Troi's response and see if there is a simple, noninvasive solution
- • his career identity must come first and cannot be compromised
- • emotional marriage would duplicate or jeopardize the commitment he already has to Starfleet
- • Mitzi won't be able to accommodate his professional demands
As described by O'Brien: placid and listening, likely unaware of the depth of his avoidance or the counseling being pursued on her behalf.
Not physically present; referenced by O'Brien as 'placid' and not understanding his career, she functions as the relational other whose expectations and presence propel O'Brien's confession and Troi's proposed intervention.
- • seek stability and connection in the relationship (inferred)
- • understand O'Brien's needs and maintain the partnership (inferred)
- • the relationship can function without radical change (inferred from 'placid')
- • O'Brien's career will remain central and is part of who he is (inferred)
Calm, steady, and purposefully proactive — concerned but clinically composed, moving the session from talk to planned action.
Listens with professional calm, reframes O'Brien's admission into a clinical intervention by suggesting a joint session and immediately consulting her PADD to schedule follow-ups, converting confession into actionable therapy.
- • to move O'Brien from avoidance into engagement with the relational problem
- • to protect both O'Brien's emotional health and the integrity of his relationship
- • to establish therapeutic accountability through concrete follow-up
- • couples counseling is essential when avoidance threatens a relationship
- • action (a joint session and follow-ups) will be more therapeutic than passive sympathy
- • professional structure can break through avoidance patterns
Objects Involved
Significant items in this scene
Troi uses the PADD as a clinical instrument: she calls up her schedule to propose and book another appointment, transforming O'Brien's verbal confession into a concrete therapeutic plan. The device functions narratively as the pivot from disclosure to obligation.
Location Details
Places and their significance in this event
Troi's private counseling office serves as the confidential setting for O'Brien's admission. Its arranged intimacy and professional neutrality allow personal truths to surface and enable Troi to apply clinical authority, making the space the crucible where personal avoidance is converted into therapeutic action.
Narrative Connections
How this event relates to others in the story
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Key Dialogue
"O'BRIEN: "The truth is I'm a career man... you know, married to my job... Mitzi doesn't understand that...""
"O'BRIEN: "I like her a lot... but I just don't think I'm ready for two marriages if you know what I mean...""
"TROI: "Maybe you should come in with her and talk about it together.""