Ten-Forward Coaching: Lines, Longing, and Withdrawal
Plot Beats
The narrative micro-steps within this event
Wesley erupts with anxious, rehearsed questions — desperate for guidance on how to approach Salia — while Guinan watches from behind the bar, establishing Wesley's infatuation and vulnerability.
Riker enlists Guinan as a coach, motioning her to an empty table and rearranging the group to stage a coaching moment for Wesley, concretizing the plan to train him in courtship.
Who Was There
Characters present in this moment
Amused and indulgent, quietly protective of Wesley while enjoying Riker's theatrics and honoring the moment's intimacy.
Guinan agrees to be Riker's stand‑in, teases and reframes his lines as invitations, reads the deeper intent behind his words, and gently taunts Wesley — providing both instruction and emotional cushioning through wit.
- • Help Wesley learn without humiliating him.
- • Temper Riker's performance with truth and keep the teaching grounded in emotional reality.
- • She believes a line can function as an invitation, not a trap.
- • She believes gentle teasing and real feedback are the best way to teach interpersonal courage.
Nervous, overwhelmed longing that collapses into embarrassed retreat — hopeful for instruction but convinced he lacks authenticity.
Wesley seeks practical coaching, listens anxiously to Riker's demonstration, physically taps Guinan's arm as a tactile cue of embarrassment, and quietly exits when the roleplay confirms his discomfort and inexperience.
- • Get concrete, usable advice about approaching Salia.
- • Build enough confidence to speak with Salia without humiliating himself.
- • He believes he needs a script or coaching to approach Salia successfully.
- • He believes practiced rhetoric may ring false and expose him as an outsider.
Playful and confident outwardly, with an undercurrent of genuine tenderness and a desire to model authentic feeling rather than hollow lines.
Riker deliberately stages a mock courtship, delivering grand, rehearsed lines to model cadence and sincerity, using playful theatrics to teach Wesley while simultaneously revealing a softer, vulnerable side in his own language.
- • Provide Wesley with a template for approach and delivery.
- • Show how sincerity can live beneath practiced phrasing, instructing Wesley to bridge technique and feeling.
- • He believes that technique (lines, delivery) can be taught and will help Wesley.
- • He believes that sincere emotion can be communicated even through rehearsed words.
Objects Involved
Significant items in this scene
Guinan's forearm functions as the tactile cue Wesley taps to register his discomfort and withdrawal; the brief contact punctuates his inability to perform the coached lines and signals the lesson's emotional cost.
The Ten‑Forward serving counter anchors the scene: Guinan departs it to sit at an empty table, Riker uses the cleared space near the bar as his small stage, and the bar functions as the point of social choreography and informal instruction.
Location Details
Places and their significance in this event
Ten‑Forward serves as the intimate training ground for social performance: a public but gentle environment where a senior officer can theatrically coach a junior one, and where private longing is exposed beneath casual conviviality. The lounge's social texture allows instruction to read as harmless play while producing a meaningful emotional reckoning for Wesley.
Narrative Connections
How this event relates to others in the story
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Key Dialogue
"WESLEY: "But what do I say? How should I act? What do I do?""
"RIKER: "The first words out of your mouth are the most important. You could start by saying something like... 'you're the most beautiful woman in the galaxy.'""
"GUINAN: "There's nothing wrong with a line. It's like a knock on the door.""