Holodeck Two Entry/Exit Hatch

The holodeck doors serve as both physical barrier and narrative threshold—sliding open at Picard's command to reveal the assembled group inside, while framing Data's alarming behavior at the entrance. Their seamless operation contrasts with the fractured crew dynamics.

The Holodeck doors slide open to reveal the scene inside, serving as a portal between the ship's reality and the holographic environment. Their seamless operation contrasts with the growing tension as Data's behavior shifts.

The Holodeck doors serve as the theatrical reveal mechanism: Troi orders them opened, piercing Worf's privacy and converting a corridor approach into a staged, ceremonial confrontation and surprise witness moment.

The holodeck doors serve as the theatrical reveal: they open to expose the simulated chamber and the assembled crew, puncturing Worf's privacy and framing the transition from corridor to ritual space. Their opening is the sensory cue that transforms the moment from surprise to solemnity.

The holodeck doors act as the theatrical portal that transforms corridor privacy into ritual space: they open to reveal the assembled chamber and its witnesses, punctuating the emotional reveal and allowing Worf a deliberate moment of entrance and choice.

Holodeck doors act as a threshold that separates Picard's public self in the corridor from his private ritual inside the simulation; when they part they theatrically reveal the saddled horse and the simulated glade.

The holodeck doors operate as the threshold between ship and ritual space; their opening stages the reveal and formalizes the transition from corridor to intimate simulation.

The holodeck doors function as the literal and symbolic threshold between public duty and private reflection. Wesley hesitates at a regular corridor doorway while, laterally, the holodeck doors open to reveal Picard's woodland, marking two separate crossings of responsibility and retreat in one scene.

The holodeck doors physically open to admit Picard into the woodland program; as a threshold object they mark the transition from ship reality to private simulation, signaling his intentional retreat from command spaces into a regulated refuge.

Holodeck doors are the implied threshold: they allowed Picard access to the meadow and will be used in exit as Data turns toward the door—serving as the physical boundary between private simulation and shipboard reality.

The holodeck door is the physical exit through which Data departs after accepting Picard's order; it marks the transition from private confession to formal command procedures, emphasizing the boundary between personal contact and shipboard protocol.

The holodeck door physically opens to reveal the program's interior — a ruined battlefield — serving as the literal and symbolic threshold K'Ehleyr crosses. Its opening converts a corridor exchange into an immersive, private arena and signals permission to enact ritualized physicality.

The Holodeck Doors physically mark the boundary between simulation and command reality; they slide open on Picard's arrival, punctuating the intimate, technical moment and forcing the moral and chain‑of‑command decision into the open.

Holodeck doors play a small but symbolic role after the main crisis; they open to allow Geordi's Leah program to exit the holodeck when he saves the program, marking a return from technical triumph to private human connection.

The Holodeck Doors mark the boundary of Geordi's private space. They open with a near‑silent hydraulic sigh when Geordi exits after saving the Leah program, punctuating the end of the intimate exchange and the return to ship reality.

The holodeck doors physically separate simulation from corridor; they slide open after program termination to allow Picard and Data to exit, visually signifying the restoration of normal ship environment and the shift to operational duties.

The holodeck doors open to permit Picard and Data to exit the simulated camp and re-enter ship corridors, physically marking transition from rehearsal to command post; they are the threshold between theatrical and operational spaces.

The guest-quarter doors are the threshold through which Setal is brought in and then left behind; they physically separate him from the rest of the ship and establish the controlled privacy in which his secret gesture takes place.

The holodeck doors physically transition Setal from the ship's corridor into the simulation; their opening marks Data's invitation and the momentary promise of refuge. When the program is cancelled, the aperture returns the scene to the bare set and the doors reframe the space from simulated homeland to a controlled shipboard environment.

The holodeck doors mark the physical boundary between private restorative space and shipboard duty: they open to admit Data's formal entrance and later allow his exit, materially enabling the interruption that triggers Picard's emotional reaction.

The holodeck doors are the physical threshold through which Data enters and exits; their quiet parting marks the intrusion of external duty into a private space and the closing of that intrusion immediately before Picard's private rebound.

The Holodeck doors act as the physical threshold between public corridor and simulated adjudication chamber; their opening marks the formal commencement of the reconstruction and the participants' willingness to submit to machine-mediated evidence.

The holodeck doors open to reveal Apgar's furious entrance and later mark the transition between private and interrupted space; their near‑silent hydraulic motion frames the suddenness of the confrontation.

The holodeck doors mark the transition from corridor to private guest quarters in the reconstructed tableau; their opening and closing stage the intrusion and subsequent privacy that precipitate the domestic conflict and frame the later accusation.

The holodeck doors physically mark the transition from corridor/studio space into the staged laboratory; they open to reveal Manua and the lab recreation, creating the visual and spatial moment that frames her grief and the ensuing confrontation.

The Holodeck doors open to admit Krag and Manua, framing the transition from corridor to the recreated lab. The aperture functions as a threshold that converts a private grief-stricken woman into an exposed witness before an institutional audience.

The holodeck doors and their peripheral sensors register the off-stage materialization sound heard from the other room; they frame the transition between private replay and the investigators' arrival, providing a sound cue that punctures the intimate moment.

The holodeck doors serve as the aperture that closes to turn a domestic space into a sealed scene; the closing seals the confrontation, making the room feel claustrophobic and evidencing an obstruction of escape in the reconstruction.

Holodeck doors operate as the physical seam between the Enterprise and the simulated quarters; their hydraulic sealing supports the mise-en-scène of confinement and gives the hologram authenticity when the exit is blocked within the reconstruction.

The holodeck doors function as the physical exit point for Manua and Apgar after the confrontation; they mark the boundary between the staged evidence and the real-world observers and stage Manua's withdrawal under emotional strain.

The holodeck doors function as the literal and symbolic threshold between simulated past and present: they open to reveal the staged quarrel and later admit Manua as she flees, marking transitions in testimony and emotional exposure.

The holodeck doors serve as the physical threshold for the confrontation: Apgar's entrance through the doors initiates the encounter, signaling the abrupt transition from private intimacy to public disclosure within the reconstruction.

The holodeck doors physically mark the moment of discovery — their opening allows Apgar's abrupt entrance that catalyzes the entire confrontation. The door functions as both literal threshold and dramaturgical trigger for the violent exchange.

The holodeck doors function as a threshold between fantasy and reality, a physical boundary Barclay crosses reluctantly. As he freezes the program and exits, the doors part with a hydraulic sigh, symbolizing the inevitability of his return to duty. Their smooth composite panels and faint warmth suggest frequent use—Barclay’s escapism is habitual, but the doors’ near-silent operation underscores how easily he slips between worlds. The scuffs on their surface hint at previous crises, reinforcing that this isn’t the first time Barclay has fled to the holodeck for refuge. When he steps through, the frozen holograms (Holo-Riker slumped, Holo-Troi mid-touch) highlight the abrupt end of his fantasy, leaving him to face the real-world consequences of his absence.

The holodeck doors serve as the threshold between Barclay’s fantasy and reality. As he freezes the Ten Forward program, he turns toward the doors, which part with a near-silent hydraulic sigh, marking his reluctant return to the Enterprise’s corridor. The doors’ smooth composite panels and faint warmth from heavy use contrast with the artificiality of the holodeck, symbolizing the cold, unyielding reality he must face. Their role in this event is pivotal: they are the physical gateway that forces Barclay to transition from his cathartic rebellion back to his duties, underscoring the fragility of his emotional escape.