Whiffenpoofs

The Whiffenpoofs sing 'Bye-bye, Blackbird' in the Mural Room, their layered a cappella providing the scene's festive soundtrack and a humanizing backdrop that temporarily softens the White House staff's anxieties.

Performing 'Bye-bye, Blackbird' in the Mural Room; their jaunty, nostalgic singing provides the festive backdrop that makes Leo's announcement land with tonal friction.

The Whiffenpoofs sing 'The Girl from Ipanema' in the adjacent Mural Room, their voices drifting into the Oval and onto the portico, softening the scene and providing holiday atmosphere.

The Whiffenpoofs perform 'The Girl from Ipanema' in the Mural Room, tailoring their singing to staff requests and providing a light, musical counterpoint to the West Wing's practical worries.

The Whiffenpoofs stand in the Northwest Lobby and sing a carol, their voices creating a sustained, reverent backdrop that reshapes the room and prompts private reactions from listeners.

The Whiffenpoofs' voices are presented as off-screen singing (VO). Their hymn overlays the image of Danny at his terminal, supplying the scene's musical and emotional framing rather than interacting directly …

As an auditory presence, the Whiffenpoofs deliver a single line of 'O Holy Night' as voice-over; their singing provides the scene's emotional texture, softening the room and contrasting the stark …

The Whiffenpoofs' singing provides an off‑screen aural layer, their a cappella 'O Holy Night' framing the procession with solemnity and lending the moment ceremonial weight and seasonal calm.

Provide off‑screen vocal performance (V.O.) of a solemn carol; their singing overlays the visual, lending the scene its reverent, melancholic soundscape and emotional framing.

The Whiffenpoofs perform 'O Holy Night' in the lobby, their voices filling the space with a solemn, steady refrain that dials down tension and redirects attention away from argument toward …