Laurie (social intermediary / escort — recurring on‑screen)

Lounging on the bed in a pot-induced haze, recites Sam's pager message verbatim with casual precision, compares pagers playfully, teases about 'POTUS' as a funny name, scribbles her phone number, …

Laurie greets Sam without theatrics, answers his indirect question plainly, retrieves and hands over her pager in a practiced, detached manner, and calmly insists he leave—closing the emotional distance with …

Opens the door, lets Sam in, answers his direct question with a calm, resigned admission that she works as a high‑priced call girl, retrieves her pager from the couch, exchanges …

Laurie is not physically present but is invoked as the focal object of desire and risk; her status as a call girl is the kernel of political danger and causes …

Humanized by Sam's defense against Toby's 'hooker' label; positioned as law student undeserving of stigma, central to scandal's moral framing despite absence.

Laurie is not onstage but is the subject of the exchange; she is reported to be 'in the back' and described as 'busy,' making her a latent, vulnerable presence whose …

Seated at private table with clients, shifts from laughing camaraderie to visible discomfort as Sam intrudes; reveals alias 'Brittany', attempts to deflect, then abruptly excuses herself and storms out in …

Seated at the private table amid light laughter, shifts to visible discomfort as Sam arrives; curtly introduces him, admits 'I am' Brittany under pressure, then abruptly excuses herself and storms …

Laurie confronts Sam angrily on a cold D.C. sidewalk: she refuses his offers of help, reports leaving her jacket inside, asserts legal and financial independence, demands a cab, accepts his …

Laurie exits the restaurant upset, rejects Sam's offer of money as insulting, asserts legal and personal autonomy, reluctantly accepts Sam's coat for practical warmth, and eventually accepts his offer of …

Laurie sits sideways in the booth with her Communications Law textbook in her lap, bringing her plate closer protectively, answering Sam’s barbs with clipped replies, and watching in stunned resignation …

Is introduced under an assumed name, offers a courteous 'Nice to meet you,' and remains composed—her presence unintentionally creates tension and places Sam in an exposed position.

Laurie arrives as Carl's date, reacts with visible surprise and discomfort when Sam confronts her, defends her independence, accepts Abigail Bartlet's compliment with fragile pleasure, and ultimately walks away speechless …

Laurie is off-stage but becomes the pivot of the plan: Josh and Sam discuss her price, influence, and willingness to divulge names. She is treated as a transactional tool likely …

Laurie is not physically present but is the object of Josh's request — described as 'expensive' and 'elite' and implied to be discreet; Josh asks if she would divulge names, …

Laurie answers the door half-dressed, listens to the pitch, immediately recognizes the request as cynical and beneath principle, rejects the approach aloud, refuses any transactional role, and ejects the men …

Laurie answers half‑dressed, listens, and immediately rejects the request. She mocks the hypocrisy, refuses to be complicit, rebukes Josh for the moral breach, declines the offered money, and orders them …

Laurie sits at the long table studying, jokes with Janeane, rummages in her shoulder bag when the phone rings, answers and instantly recognizes Sam's voice — shifting from casual to …

Laurie answers Sam's late-night call from a law school library the night before graduation, offering a rueful, self-effacing observation about law school and real estate. Her voiceover presence is intimate …

Receiving the call in the law school library, Laurie accepts Sam's decision, soothes him, and conceals her disappointment. After hanging up she states the fact aloud to Janeane, controlling her …

Laurie answers Sam's call in the law library, listens to a distant explanation about political exposure, responds with measured reassurance, hangs up, and immediately reframes her disappointment for Janeane as …

Drunk and joyful, Laurie is surprised and delighted by the gifts, hugs Sam in gratitude, then shifts to alarm and bewilderment when a camera viewfinder frames the embrace and a …

Laurie reacts with surprise and delight to Sam's gifts, closes the pen box affectionately, hugs Sam, and then exchanges practical plans about where she'll sleep before they both notice the …

Laurie appears in the staged photograph with Sam at her graduation, becoming collateral damage in the political smear targeting the administration.

Laurie appears as the intended victim of a setup: vulnerable, defiant about being used, and privately negotiating boundaries while the staff rushes to protect her academically and reputationally.

Laurie is the subject of the scandal: C.J. identifies her as the woman in the photo and the target of the Mirror's claim; Laurie is not present but is immediately …

One of the young women on the bench who lent her cellphone casually identifies herself when Toby apologetically returns the device; her exchange punctuates the scene's comic, low‑stakes human texture.

A young woman (call girl) sits on a bench among others, casually acknowledges Toby borrowed her phone and confirms its return with a nonchalant tone.

The call girl who lent Toby her phone answers his offhand apology and confirms he borrowed it, playing a small but narratively crucial role as provider of the communication device …