Marbury Extracts Toby's Concession on McGann
Plot Beats
The narrative micro-steps within this event
Marbury delivers a haunting monologue about 'original sins,' equating America's slavery and treatment of Native Americans with England's historical oppression of Ireland.
Toby counters Marbury's grim historical perspective with pragmatic contributions of Irish-Americans, lightening the mood briefly.
Marbury reignites tension by insisting Brendan McGann—linked to Irish Republican sentiment—cannot be welcomed at the White House, invoking diplomatic imperative.
Toby reluctantly concedes to Marbury's demand, their cigar smoke and unfinished drinks marking the uneasy resolution of the Irish diplomatic standoff.
Who Was There
Characters present in this moment
Polarizing specter embodying diplomatic poison
Brendan McGann is repeatedly invoked as the flashpoint Sinn Féin leader whose proposed White House visit Toby champions for peace talks, only for Marbury to veto it outright as inseparable from IRA violence, crystallizing the dispute's core fracture.
- • Gain U.S. legitimacy through White House invitation
- • Advance Sinn Féin dialogue to outflank IRA hardliners
- • Inclusion in talks is key to splintering extremists
- • U.S. mediation can jolt stalled peace processes
Commanding assurance laced with lucid gravity, culminating in triumphant satisfaction
Marbury intones a poetic monologue on national 'original sins,' rebuffs Toby's dialogue pleas with wry historical litany, firmly declares McGann barred from the White House as Ambassador, finishes his drink with satisfaction, pays the bill, and strides out, dominating the exchange with aristocratic resolve.
- • Equate historical sins to caution U.S. overreach in Irish affairs
- • Enforce non-negotiable British red line excluding McGann from White House access
- • McGann remains inextricably linked to IRA terrorism, unfit for U.S. legitimacy
- • England's Irish oppression mirrors America's sins but demands protective vetoes on dialogue
Determined pragmatism yielding to weighted reluctance and resigned acceptance
Toby smokes a cigar steadily, counters Marbury's historical indictments with pragmatic arguments highlighting Irish-American political influence and the imperative of dialogue—even with McGann—pauses reflectively after the veto, concedes 'Understood,' and watches Marbury pay and depart, embodying reluctant diplomatic retreat.
- • Advocate for inclusive peace talks by inviting McGann to the White House
- • Leverage U.S. intervention to pressure British concessions on Irish dialogue
- • Dialogue with controversial figures like McGann is essential to splinter extremists and advance peace
- • Irish-American political clout justifies American mediation in Anglo-Irish conflicts
Objects Involved
Significant items in this scene
Toby's cigar—echoing Millgate's defiant prop—pulses with embers and exhales thick smoke that chokes the bar's air, amplifying the scene's intimate tension and historical gravity; Toby puffs it during counters and post-concession, symbolizing brooding contemplation amid diplomatic smoke screens.
Location Details
Places and their significance in this event
The dimly lit bar with scarred counter and sweating drinks provides clandestine neutral turf for Toby and Marbury's verbal thrust-parry over Irish policy, cigar haze thickening the air as historical ghosts and concessions unfold in hushed isolation, distilling Oval realpolitik to raw interpersonal stakes.
The White House looms as the contested symbol of U.S. diplomatic endorsement, explicitly barred to McGann by Marbury's decree, transforming the bar talk into a proxy battle over its thresholds—elevating the concession's cost amid the episode's gala chaos.
Narrative Connections
How this event relates to others in the story
"Marbury's disruptive entrance and IRA accusations against McGann escalate into the diplomatic standoff resolved with Toby's concession, showing how initial provocation leads to political resolution."
"Marbury's disruptive entrance and IRA accusations against McGann escalate into the diplomatic standoff resolved with Toby's concession, showing how initial provocation leads to political resolution."
Themes This Exemplifies
Thematic resonance and meaning
Part of Larger Arcs
Key Dialogue
"MARBURY: "The darkness in our sunshine, the shadow in our souls, the biblical sins of the fathers. For Americans, it's slavery. Slavery is your original sin. That and your unfortunate history with your aborigines.""
"TOBY: "Well, they've given us a couple of U.S. Presidents, a lot of Boston Democrats, and half of the New York City's Police Force.""
"MARBURY: "Not to talk to Brendan McGann." TOBY: "Brendan McGann cannot come to the White House." MARBURY: "Yes." TOBY: "Understood, Mr. Ambassador.""