Fabula
S1E13 · Take Out The Trash Day

Redacting the Sex-Ed Report

In the Oval Office Bartlet and Mandy silently work through an explicit sex‑education report while the President awkwardly redacts and refuses to speak the language aloud. Mandy is pulled away when Mrs. Landingham announces the grieving Lydells, exposing competing priorities — human grief versus bureaucratic damage control. When Mrs. Landingham asks to see the report, Bartlet flatly refuses, invoking a desire to avoid lifelong therapy. The scene tightens themes of secrecy, presidential boundaries and the political cost of private language becoming public.

Plot Beats

The narrative micro-steps within this event

4

Bartlet and Mandy read and react to the explicit content of the sex-education report, with Bartlet censoring certain passages.

awkwardness to discomfort ['Oval Office']

Mrs. Landingham interrupts to inform Mandy that the Lydells are waiting, prompting Mandy's departure to handle the situation.

focus to urgency ['Mural Room']

Bartlet refuses to share the report's contents with Mrs. Landingham, citing personal discomfort.

curiosity to rejection

Bartlet continues to censor the report, reverting to his earlier discomfort with its explicit content.

frustration to resignation

Who Was There

Characters present in this moment

3

Dry amusement and guarded embarrassment masking a desire to control the tone and avoid turning a clinical passage into personal exposure.

As President, Jed Bartlet sits with Mandy reading the sex-education report aloud and then silently; he refuses to vocalize explicit language, scribbles over words, replies tersely to Mrs. Landingham, and preserves a private boundary.

Goals in this moment
  • Understand the contents of the report without compromising personal dignity.
  • Maintain presidential decorum and avoid turning the passage into a spectacle.
  • Protect the administration from clumsy public language while preserving private boundaries.
Active beliefs
  • Explicit language about sexuality is professionally unnecessary and personally hazardous.
  • Certain private reactions are better contained than aired, especially in the Oval Office.
  • Presidential comportment requires minimizing opportunities for ridicule or misinterpretation.
Character traits
wry self-control protective of personal discomfort ceremonial awareness private-minded
Follow Josiah Edward …'s journey

Professional composure tinged with private impatience; she defers to the President while mentally shifting to the incoming grieving family and optics management.

Mandy stands with the President, follows his lead while reading the report, prompts logistical questions about C.J., accepts the instruction to go meet the Lydells, and departs to perform a public-relations duty.

Goals in this moment
  • Ensure the grieving Lydells are managed sensitively and the optics are controlled.
  • Confirm whether communications (C.J.) are prepped and aligned before engaging the family.
  • Maintain the President's calm presentation during a potentially fraught public moment.
Active beliefs
  • Public grief must be shepherded carefully for humane and political reasons.
  • Communications staff (C.J.) must be coordinated with before major interpersonal encounters.
  • Appearances in the Oval and the Mural Room directly affect the administration's narrative.
Character traits
media-conscious deferential in ceremony practical opportunistic restraint
Follow Madeline Hampton's journey

Calm professionalism with quiet insistence; she balances respect for the President's privacy with duty to inform and facilitate family contact.

Mrs. Landingham enters, announces the Lydells waiting in the Mural Room, confirms C.J.'s presence outside, requests to see the report politely, and accepts the President's refusal before leaving—acting as domestic gatekeeper and practical executor.

Goals in this moment
  • Ensure the grieving family is promptly and correctly received by the President or staff.
  • Fulfill her custodial role by asking necessary practical questions, including whether to see the report.
  • Maintain household order and timing for official encounters.
Active beliefs
  • The President's schedule and the family's needs must be balanced efficiently.
  • Practical knowledge (like the contents of a report) helps her manage the President's interactions.
  • Personal discomfort should be subordinated to the functioning of the household and ceremony.
Character traits
matter-of-fact loyal direct practical steward
Follow Mrs. Landingham's journey

Objects Involved

Significant items in this scene

1
Sex‑Ed Report (Printed Disclosure Packet — Leo's Office)

The commissioned sex‑education report is the focal prop: Bartlet reads its blunt findings, repeatedly censors a specific sexual term by scribbling on the page, and uses the document as both information and a shield against saying the word aloud. It catalyzes embarrassment and precipitates a choice about disclosure when Mrs. Landingham asks to see it.

Before: On the Oval desk between Bartlet and Mandy; …
After: Marked with fresh scribbles and redactions from Bartlet; …
Before: On the Oval desk between Bartlet and Mandy; recently copied and handled, with visible type and a slight dog‑ear.
After: Marked with fresh scribbles and redactions from Bartlet; remains in the Oval, withheld from Mrs. Landingham and not publicly shared.

Location Details

Places and their significance in this event

2
Roosevelt Room (Mural Room — West Wing meeting room)

The Mural Room functions offstage as the waiting area where the grieving Lydells sit, its mention creating pressure on the Oval's conversation and forcing Mandy's exit. The room's existence compresses private deliberation into urgent public responsiveness, turning an intimate exchange into a staged encounter awaiting immediate attention.

Atmosphere Tense, anticipatory, reverent — a cool, restrained waiting space charged by grief and protocol.
Function Staging area for visitors and grieving parties; a pressure chamber that triggers the Oval's shift …
Symbolism Represents the external human consequences that press against the administration's internal processes; where scripted protocol …
Access Serves as an anteroom for visitors; occupants wait until summoned into the Oval and are …
People waiting in chairs (the Lydells) A door separating mourners from the Oval, creating a temporal and emotional threshold
Oval Office (West Wing, White House)

The Oval Office serves as the private, ceremonial space where sensitive reading and presidential boundary‑setting occur. Its intimacy allows Bartlet to refuse vocalization and scribble over the report, while Mrs. Landingham's entrance from the threshold highlights the room's role as both sanctuary and workplace where private embarrassments bump into public duties.

Atmosphere Hushed, awkward, intimate — paper rustles and muffled sentences crease the silence; an undercurrent of …
Function Private counsel chamber and decision node where personal boundaries, confidential documents, and urgent visitor management …
Symbolism Embodies institutional authority while revealing the President's personal vulnerability; the seat of power becomes a …
Access Effectively restricted to senior staff and trusted domestic personnel; entry is controlled and procedural.
Paper on the desk with visible scribbling and dog‑ears Quiet reading, abrupt door entry by Mrs. Landingham Close physical proximity between President and aide enabling confidential counsel

Narrative Connections

How this event relates to others in the story

What led here 2
Causal medium

"The sex-ed report's arrival triggers Bartlet's personal engagement with its content."

Scripted Optics Break Under Grief and Policy Bombshell
S1E13 · Take Out The Trash Day
Causal medium

"The sex-ed report's arrival triggers Bartlet's personal engagement with its content."

Report on 'Abstinence‑Plus' Drops on C.J.'s Desk
S1E13 · Take Out The Trash Day

Key Dialogue

"BARTLET: "The majority of young people move from kissing to more intimate sexual behaviors during their teenage years. More than 50 percent engage in petting behavior. That's what I think it is, right?""
"BARTLET: "By the age of 14, more than 25 percent have touched a girl's... I won't say that word.""
"MRS. LANDINGHAM: "Would you like to share what's in that report, sir?" / BARTLET: "With you?" / MRS. LANDINGHAM: "Yes." / BARTLET: "No." / MRS. LANDINGHAM: "May I ask why not, sir?" / BARTLET: "Because I'd rather not be in therapy for the rest of my life.""