Fabula
S1E9 · The Short List

Sam Jolted Awake by Urgent Anonymous Call

Before dawn, Sam dozes in his office amid cartons of old files — a visual shorthand for long hours and buried paperwork. An urgent, anonymous phone call abruptly wakes him; his clipped, slightly flustered exchange ('I'm not a cop') shows confusion but also an instinct to take responsibility. He tells the caller he's on his way, slings on his jacket, then trips over a box in a beat that mixes physical comedy with rising tension. This moment functions as a compact turning point: it thrusts Sam out of passive research and into immediate, personal involvement in the crisis, accelerating the episode's momentum and humanizing him through both competence and comic vulnerability.

Plot Beats

The narrative micro-steps within this event

3

Sam Seaborn, asleep in his chair amidst scattered cartons of old papers, is abruptly awakened by a phone call, signaling an urgent interruption to his rest.

sleepiness to alertness ["Sam's office, early morning"]

Sam engages in a mysterious phone conversation where he asserts his non-law enforcement status and decides to personally address the caller's situation, indicating an immediate and personal crisis response.

alertness to urgency

Sam rushes to leave his office but trips over a carton, adding a moment of physical comedy that contrasts with the scene's rising tension.

urgency to brief frustration

Who Was There

Characters present in this moment

1
Unidentified Telephone Caller (West Wing Pilot)

An off‑stage anonymous caller places a pre‑dawn phone call, speaks belligerently/performatively enough to rouse Sam, answers only in fragments, and …

Objects Involved

Significant items in this scene

4
Josh Lyman's Office Desk Telephone (corded, with hold LED)

The ringing telephone functions as the inciting instrument: its ring pulls Sam from sleep and connects him to an anonymous caller whose urgency propels the scene. The phone mediates the only verbal information Sam receives and triggers all subsequent physical movement.

Before: Silent on Sam's desk (or nearby) amid paperwork, …
After: Receiver hung up after Sam ends the call; …
Before: Silent on Sam's desk (or nearby) amid paperwork, untouched while Sam slept.
After: Receiver hung up after Sam ends the call; phone remains in the office as the immediate conduit of the interrupted silence.
Five Cartons of Harrison's Old Papers

The five corrugated cartons of old papers are both set‑dressing and physical hazard: they frame Sam's exhausted diligence and serve as the obstacle he trips over when leaving in haste, turning archival backlog into comedic but telling physical resistance.

Before: Stacked around Sam's chair, holding archival papers and …
After: One carton is knocked or shifted when Sam …
Before: Stacked around Sam's chair, holding archival papers and memos, undisturbed while he slept.
After: One carton is knocked or shifted when Sam trips; the stack is briefly disordered and its role as obstacle is confirmed.
Sam's Serviceable Dark Jacket (S01E09 "The Short List")

Sam grabs and wears the mid‑weight jacket in a single motion to leave the office; the jacket functions as a transitional prop indicating immediate departure and readiness to act, marking Sam's movement from research mode to field response.

Before: Unworn and nearby (draped or at hand) while …
After: Being worn by Sam as he hurries out, …
Before: Unworn and nearby (draped or at hand) while Sam naps in his chair.
After: Being worn by Sam as he hurries out, slightly rumpled from the rush.
Sam Seaborn's Office Chair (West Wing office)

The office chair is Sam's sleeping place and the origin point of action: it anchors his exhausted state and is emptied when he bolts up, symbolizing the abrupt end of a long vigil and the shift to active engagement.

Before: Occupied by Sam, compressed and showing wear from …
After: Vacant and slightly askew after Sam springs up …
Before: Occupied by Sam, compressed and showing wear from long hours.
After: Vacant and slightly askew after Sam springs up to answer the call and leaves in haste.

Narrative Connections

How this event relates to others in the story

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Key Dialogue

"SAM: Hello? This is Sam Seaborn."
"SAM: Uh, I'm not a cop."
"SAM: All right. I'm the only one in my office, but as soon as the secretary get--you know what? Hang on. I'm on my way."