Object

Bartlet's Commencement Speech Napkins

Bartlet jokes that he carries scribbled parts of his Georgetown commencement speech on crumpled napkins in his pocket. Will, the aide, and chancellor witness the quip as they finalize edits atop the staircase. The napkins stand in for hasty, informal prep amid the ceremony's pomp—unseen but evoked to humanize the President before descending.

4 appearances

Appearances in the Narrative

When this object appears and how it's used

4 moments

S4E22 · Commencement

Welty vs. Gandhi — A Father's Anxiety Before the Podium

Bartlet jokes about having parts of the speech on crumpled napkins in his pocket; they function symbolically as his informal, intimate notes and proof of a practiced, human readiness behind the formal speech.

Before: In Bartlet's pocket as informal notes and mnemonic aids.

After: Still carried by Bartlet in his pocket as he descends to the stage.

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S4E22 · Commencement

Pocketed Anxiety — Final Edits and the Walk to Commencement

Small napkins are referenced as the president's informal, crumpled jotting place for bits of his speech — the joke about them defuses tension and signals a human, impromptu side beneath the formal address.

Before: Concealed in Bartlet's pockets as ad-hoc notes.

After: Remain in his pockets (though he notes limited access to pockets), serving as an implied source for spontaneous recall.

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S4E22 · Commencement

A Father's Smile — Zoey's Quiet Photograph

Small crumpled napkins are mentioned as Bartlet's informal notes — a humanizing visual that underscores spontaneity and warmth while also suggesting improvisation under public scrutiny.

Before: In Bartlet's pocket (referenced verbally), serving as backup notes.

After: Still on Bartlet's person as he proceeds into the ceremony; implied to remain unread but reassuring to him.

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S4E22 · Commencement

Midnight Leak Interrogation — Gulfstream Cover Story

Bartlet's napkins are invoked by C.J. as a flippant, humanizing detail to deflect and diminish the grotesque image from the wire report, turning a scandalous visual into an apologetic, comic domesticity.

Before: A personal prop associated with Bartlet (implied to be on him or nearby).

After: Still a referenced, rhetorical prop used to deflect; no physical change described.

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