Window of the Salle des États

A tall, rectangular gallery window in the Salle des États framed in white stone and set with large panes of clear glass. Its size and placement make it a potential exit point for Duggan, who breaks the pane to escape the pursuing forces after Romana suggests using it as an escape route. The window offers no ledge or footholds, forcing Duggan to abandon his usual blunt instruments in favor of a desperate vertical leap into the unknown.

3 appearances

Appearances in the Narrative

When this object appears and how it's used

3 moments

S17E7 · City of Death Part 3

Romana and Duggan find the theft

Duggan improvises escape through the Window of the Salle des États after Romana points it out, shattering the pane in a desperate leap. The lack of ledges or footholds underscores the increasing desperation as they flee Scarlioni’s pursuing forces.

Before: Intact, closed window providing no prior indication of urgency

After: Shattered and used as an escape route, glass scattered on the floor outside

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S17E7 · City of Death Part 3

Lasers betray stolen masterpiece

The tall Window of the Salle des États becomes Duggan’s designated escape route after Romana directs his attention to it. He shatters the pane and leaps through into the unknown in a desperate vertical descent, splitting the duo’s escape plan as alarms rage below.

Before: Intact large rectangular window framed in white stone, overlooked by interior lighting

After: Shattered and broken, with glass scattered inside and out, serving as a temporary exit

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S17E7 · City of Death Part 3

Romana and Duggan split to escape the Louvre

The gallery’s window becomes a literal portal to survival, becoming Duggan’s chosen escape route after Romana acknowledges it. The decision transforms a static architectural feature into a desperate chasm of glass and Parisian night, forcing him into a leap that tests both timing and trust.

Before: A tall, unremarkable window framing the gallery’s exterior architecture

After: Shattered by Duggan’s ascent and Romana’s subsequent departure, marking their abrupt transition from containment to flight

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