The Illusion of Power through Violence
Stael’s ambition to claim godhood through ritual and murder exposes the hollowness of power achieved through domination. His euphoric triumph is undercut by paranoia and creeping unease, revealing that violence and coercion are ultimately self-destructive. The murder of Fendelman—a man stripped of agency—serves as a stark illustration of how power fantasies corrupt the wielder as much as the victim. The theme critiques the cyclical nature of tyranny, where the pursuit of control perpetuates chaos and self-destruction.
Events Exemplifying This Theme
Stael abandons all pretense in the chapel, injecting Thea with a drug to bend her mind to his will so she may serve as a vessel for the Fendahl’s primal …
Stael silences Fendelman’s dying protest with a bullet to the temple, then turns off the chapel lights in preparation for his ritual. With Colby’s final accusation still ringing, Stael declares …