Susan discovers hidden passage in tomb
Who Was There
Characters present in this moment
Defensively passionate, masking a deep moral conflict between her admiration for Aztec achievements and her discomfort with their violence.
Barbara examines the Aztec corpse with scholarly curiosity, identifying the artifacts as early Aztec (c. 1430) and donning the priest’s armband—a symbolic act that foreshadows her future role. She engages in a tense debate with Susan, defending the Aztecs’ cultural sophistication while acknowledging their brutality, revealing her conflicted moral stance. Her dialogue is measured yet passionate, reflecting her deep historical knowledge and idealistic resolve.
- • To educate Susan about the complexity of Aztec civilization, beyond its brutal reputation.
- • To subtly assert her authority by adopting the armband, foreshadowing her later intervention in Aztec society.
- • Cultural sophistication can coexist with moral atrocities, and history must be judged holistically.
- • Her historical knowledge grants her a unique moral responsibility to intervene in unjust practices.
Unsettled and morally repulsed by the Aztecs’ practices, yet intrigued by the discovery of the hidden passage, which offers a momentary distraction from the tension.
Susan stands beside Barbara, examining the corpse with visible unease. She challenges Barbara’s historical perspective, critiquing the Aztecs’ practice of human sacrifice with moral disdain. Her sharp observation of the hidden passage—triggered by the painted wall with bubbles—shifts the scene’s focus, introducing a potential escape route or deeper peril. Her dialogue is skeptical and emotionally reactive, reflecting her youthful idealism and discomfort with violence.
- • To challenge Barbara’s romanticized view of Aztec civilization, emphasizing its violent aspects.
- • To explore the newly revealed passage, seeking either escape or further understanding of their surroundings.
- • Moral atrocities like human sacrifice cannot be justified by cultural achievements.
- • Discovery and exploration are key to navigating unfamiliar and dangerous environments.
Objects Involved
Significant items in this scene
The Aztec Corpse in Jeweled Finery lies on the tomb table, its elaborate attire and mask marking its high status. Barbara and Susan examine it closely, with Barbara identifying its early Aztec period and Susan reacting with discomfort. The corpse serves as a catalyst for their debate on Aztec civilization, embodying the tension between cultural achievement and moral atrocity. Its presence looms over the scene, a silent witness to the historical and ethical dilemmas at play.
The Aztec Priest’s Mask rests on the mummified corpse, its intricate carvings and early Aztec style (c. 1430) serving as a visual anchor for Barbara’s historical analysis. While not directly handled, the mask symbolizes the priest’s authority and the cultural legacy Barbara seeks to defend, even as she acknowledges the civilization’s brutality. Its presence underscores the moral ambiguity of the Aztecs’ legacy.
The painted section of the tomb wall with bubbles is initially overlooked but becomes the pivotal discovery of the event. Susan’s observation of its cartoonish style triggers the mechanism, causing it to hinge open and reveal a concealed passage. This object functions as a narrative pivot, introducing the possibility of escape or deeper exploration, while its whimsical bubbles contrast with the tomb’s somber tone, adding a layer of irony to the scene.
The Aztec Tomb Table serves as the primary surface for examining the priest’s corpse and its artifacts. Barbara leans over it to inspect the body and don the armband, while Susan’s discovery of the hidden passage shifts attention away from the table’s contents. The table’s sturdy presence contrasts with the tomb’s eerie atmosphere, grounding the scene’s historical and moral debates in tangible detail.
The Aztec Tomb’s Hidden Wall Passage is revealed when Susan notices the painted section with bubbles. The passage hinges open horizontally, offering a potential escape route or deeper exploration. Its discovery introduces a critical narrative tension: will Barbara use this path to intervene in Aztec history, or will it lead to unforeseen dangers? The passage’s sudden appearance underscores the tomb’s hidden complexities and the unpredictability of their mission.
Location Details
Places and their significance in this event
The Aztec Priest’s Tomb serves as the primary setting for this event, its dimly lit stone chamber sheltering the table with the mummified corpse and early Aztec artifacts. The tomb’s atmosphere is heavy with dust and the weight of history, creating a somber backdrop for Barbara and Susan’s debate on Aztec civilization. The discovery of the hidden passage transforms the tomb from a static historical site into a space of potential action, shifting the scene’s focus from intellectual discussion to physical exploration.
Organizations Involved
Institutional presence and influence
The Aztecs are invoked indirectly through the artifacts, corpse, and tomb itself, shaping the moral and historical debate between Barbara and Susan. Their civilization’s duality—cultural sophistication versus brutal sacrifice—is the central tension of the scene. The discovery of the hidden passage foreshadows Barbara’s potential intervention in Aztec society, while the tomb’s artifacts serve as a reminder of the civilization’s legacy, both revered and reviled.
Narrative Connections
How this event relates to others in the story
"Barbara wearing the armband of Yetaxa directly leads Autloc to addressing the Doctor, Ian, and Susan as servants of Yetaxa, because he believes Barbara is Yetaxa."
Autloc Reveals Barbara’s Divine Status"Barbara wearing the armband of Yetaxa directly leads Autloc to addressing the Doctor, Ian, and Susan as servants of Yetaxa, because he believes Barbara is Yetaxa."
Autloc confirms Barbara’s elevated status"Barbara puts on the armband, leading to her being mistaken for Yetaxa by Autloc."
Barbara seized as the high priest"Barbara, now believing she is a Goddess, takes the opportunity to forbid human sacrifice with her new found status and has it be enforced."
Barbara declares war on sacrifice"Barbara, now believing she is a Goddess, takes the opportunity to forbid human sacrifice with her new found status and has it be enforced."
Barbara declares war on sacrifice"Barbara, now believing she is a Goddess, takes the opportunity to forbid human sacrifice with her new found status and has it be enforced."
Barbara defies the Doctor over sacrifice"Barbara's mistaken identity directly prevents them from escaping as they cannot open the TARDIS from inside the tomb and risk outing her."
Barbara embraces priestess deception"Barbara's mistaken identity directly prevents them from escaping as they cannot open the TARDIS from inside the tomb and risk outing her."
Barbara secures freedom through deception"The discovery leads to the next attempt to leave."
TARDIS door traps companions unexpectedly"The discovery leads to the next attempt to leave."
Doctor scolds Barbara’s reckless interventionKey Dialogue
"BARBARA: "Look at that.""
"SUSAN: "The little I know about them doesn’t impress me. Cutting out people’s hearts.""
"BARBARA: "Oh, that was only one side to their nature. The other side was highly civilised.""
"SUSAN: "Cortes landed in 1520, didn’t he? Hey, look, cartoons! They’ve got bubbles coming out of their mouths. Oh, hey, Barbara, look!""